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Thread: Kodak Financial Woes Deepen: Film Future?

  1. #91
    Roger Cole's Avatar
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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by Marko View Post
    Well, they taught us common sense too back then, and you need only look at some posts here to see how little of it has remained. It's easy to wax poetic about "Roaring Twenties" until one remembers what it was like to not have penicillin for example or how many people died of TB in those "good old days" and other such periods... And let's not even mention dental care.

    Yes, I'm sure those times were awesome and that if I had my kids then, those two or three out of five that would've survived the age of 2 would've enjoyed unrestricted childhood much more than the kids today do. But ungrateful that I am, I'm really happy to be living in the now, which enabled me to raise *all* my kids to successful adulthood and which gives me better than good chance of living long enough to see my grandkids grow up. If that means having to suffer the nuisance of frequent technology breakthroughs, so be it...

    And just so we keep this on topic, those same "Roaring Twenties" were the beginning of the Age of Kodak - "you press the button, we do the rest". It (Kodak) survived and outlasted most of those other great technologies of its time, but now the time has come when there is nothing left to do after pressing the button. Largely thanks to technology they helped develop but then failed to transition to in time to save themselves.
    I think you're missing the point, or at least missing MY point if I'm one of the people supposedly lacking common sense (an outdated commodity itself; whenever I hear someone lamenting a lack of "common sense" it just means that the people they are talking about don't think like they do and the speaker doesn't comprehend the source of the communication problem. "Common sense" is just a euphemism for "thinking like I do" but that's a different rant.)

    I can't speak for anyone else but I too am glad to be living now with its creature comforts. I would never claim that vacuum tubes were better than solid state in general (outside very specific distortion characteristics for certain high end audio) or that CRTs were across the board superior to LCD flat screens, or even that digital isn't superior to film in most ways that most people care about. But I'm not most people, many of us here aren't either, and we care about different things.

    For me it comes down to the fact that I simply enjoy working with the film medium. It is in many ways more difficult and challenging and I enjoy that. It's more primitive in some ways and I frankly enjoy that too. I work with computers 40+ hours a week. It's a refreshing change to do something that, aside from quality of materials, has hardly changed in approach in decades. And it has some craft and skill to it other than solely the visual or knowledge of a computer program.

    It may be a shock and heretical to admit, but the truth is for many of us hobbyists it isn't primarily about the image! I'll repeat that because it's important - it isn't primarily about the image. Most of mine could be made just as well and more quickly and easily with digital. I simply prefer film and the greater challenge of it, and I do it for myself, so that's how I do it. I use digital for snapshots that go on Facebook or into email, too.

    Funny thing, but I find that most "traditional media" artists understand this right away. My artistically inclined girlfriend, largely responsible for rekindling my interest in photography and immediately enthused about my old Linhof and the realization that not only film for it but even very similar cameras are still made, grasps it pretty much intuitively. Photography is still hung up on the artifact when most other artists realize it's really (for many of us) more about the process and what one can get out of it.

    I recall reading a Pop Photo editor in the late 70s complaining about increasing automation in film cameras by saying that pretty soon it would get to the point you just stick the film in your ear and blink when you see something beautiful. The film is a memory card and the camera, while very small and light, isn't quite audio-insertable, but otherwise it's pretty much come to that. I just don't enjoy doing that.

    I noticed the following comment on that Japanexposures website linked above:

    At the risk of stating an utterly obvious and absolutely not new realization: it has become extremely difficult, perhaps impossible, to take a bad photograph with contemporary cameras. At least technically speaking, there is very little that can still go wrong nowadays.

    Very true. And for me at least, the very next thought becomes, "then what on earth is the point?" There isn't one, for me, when using a system like that. But for those of us for whom it's more about the process than the artifact, we just use a different process.

  2. #92

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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by Roger Cole View Post
    I noticed the following comment on that Japanexposures website linked above:

    At the risk of stating an utterly obvious and absolutely not new realization: it has become extremely difficult, perhaps impossible, to take a bad photograph with contemporary cameras. At least technically speaking, there is very little that can still go wrong nowadays.

    Very true. And for me at least, the very next thought becomes, "then what on earth is the point?" There isn't one, for me, when using a system like that. But for those of us for whom it's more about the process than the artifact, we just use a different process.
    Hey Roger,

    My reply about the rest is in your message box, but this, I believe, merits a little bit of public argument...

    The point is not in the instrument, the point is in the eye and brain of the photographer. Contrary to that poster and by extension to you, I believe that making a bad photograph is easier than ever. Not because of automation nor because of digital or any other technical reason, but because too few people have patience enough these days to obtain enough education for that.

    Technical part has always been easy, and the fact that it has become easier still means only that there will be more competent snapshots. But that's not what facilitates making good photographs. It is above all the eye of the photographer and his/her understanding of the composition and other picture elements. Essentially, a good photograph requires all or most of the skills as a good painting or good drawing, other than the technical part.

    It is not technical skills that made the likes of Elliot Erwitt and HCB great, it is their eyes and brains.

    But I do get - and agree with - your point that for us as hobbyists technical part is also very attractive. That's not an issue at all.

  3. #93

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    Re: Kodak Financial Woes Deepen: Film Future?

    There are a ton of "buggy whip manufacturer" historical business analogies that confirm what Engl said about most people not wanting film anymore. Look at the American pocketwatch manufacturers from the 1870-1930 period. Waltham, Elgin, etc. made extremely precise timekeepers. A standard Waltham took 8-12 months to produce, and they made thousands. Everyone carried one. Something changed, and they all went out of business.

    Film is like that. Everyone carried a film camera. Now no one does, relative to digital capture. That's right, no one does. How many LF or 35mm shots do you think are taken a week in America? About the same number of digital cameras and phones bought every minute.

    I gave a talk at the Western Historical Photographic Society on wetplate the other night. Almost everyone was in their 70s or 80s. They have monthly meetings to talk equipment and sell old cameras. I asked, "how many of you still shoot film?" thinking surely in this crowd most would. About 4-5 hands raised in the room. They all waxed nostalgically about how they used to buy, shoot, print film. No more...they all reach for a digital when they need a shot. Engl is right - film is a hassle, and very few will mess with it.

    Walk around with even a 35mm today and you'll get one question the most, "can you even get film anymore for that thing?" I hear this from those over 30 most. Those under 30 don't even know what film is. How long do you think Kodak, built in the grand era when everyone in the world used their film, can keep making it in their old paradigm?

  4. #94
    JC Kuba's Avatar
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    Re: Kodak Financial Woes Deepen: Film Future?

    I wonder how Fujifilm has been effected by the problems in Japan, and if Kodak might get a boost if Fuji's film production takes a hit for a while.

    - JC

  5. #95

    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by JC Kuba View Post
    I wonder how Fujifilm has been effected by the problems in Japan, and if Kodak might get a boost if Fuji's film production takes a hit for a while.

    - JC
    I have a brother that lives in Tokyo and he was sent home for at least a week - maybe longer. Everything has literally shut down. Not a good situation. Let's hope that luck is on their side and they get the nuclear situation resolved so that they can begin the clean up.

  6. #96

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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by Roger Cole View Post
    . . . I noticed the following comment on that Japanexposures website linked above:

    At the risk of stating an utterly obvious and absolutely not new realization: it has become extremely difficult, perhaps impossible, to take a bad photograph with contemporary cameras. At least technically speaking, there is very little that can still go wrong nowadays.

    Very true. And for me at least, the very next thought becomes, "then what on earth is the point?" There isn't one, for me, when using a system like that. But for those of us for whom it's more about the process than the artifact, we just use a different process.
    I understand and agree with everything in your well-considered post except the part quoted above. Frankly the statement in the Japanexposures website is stupid not to mention wrong. It's easy to make technically poor photographs with a digital camera. They still have to be focused properly, they still have to be used at an appropriate shutter speed, depth of field remains a concern, dynamic range remains a concern, noise is a concern, I could go on and on but believe me, there are plenty of things that can wrong from a technical standpoint with a digital camera. If you doubt me just go to any beginner's-type forum in which the participants use digital cameras and look at the images.

    I haven't given a lot of thought to it but offhand I don't see any difference in terms of ease of making technically good images between a decent digital camera and 35mm/roll film cameras except that it's a little easier to put a flash card in a digital camera than it is to load film in 35mm/roll film cameras. LF is different only because of the initial learning curve but once learned (which takes maybe a week or two of concentrated effort or longer of casual effort) it's even easier.

    But I'm certainly open to learning how there were a lot of things that could go wrong with say my Nikon F4 camera that no longer can go wrong with my digital camera.
    Brian Ellis
    Before you criticize someone, walk a mile in their shoes. That way when you do criticize them you'll be
    a mile away and you'll have their shoes.

  7. #97

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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by JC Kuba View Post
    I wonder how Fujifilm has been effected by the problems in Japan, and if Kodak might get a boost if Fuji's film production takes a hit for a while.
    Fuji itself is headquartered in Tokyo, and those of Fuji's film production facilities I once have been toured through were to the south-west of Tokyo. So film does seem to be unaffected so far. Their former sensor production was near Sendai airport, but has been sold years ago - if they should still source chips there, that might affect some digital products. Their X100 digital camera assembly is north of Sendai and suffered quake damage, and they announced delays for the X100 deliveries.

    Nikon might be more affected, they have quite a few subsidiaries around Sendai (among them their FF production).

    Nonetheless both fare excellent on the stock exchange compared to the average of Japanese corporations. The market obviously does not expect any significant impact on the Japanese camera industry.

  8. #98
    falth j
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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by Howard Tanger View Post
    Thank you for not supporting an American company and American workers. I guess we have not sent enough U.S.A. jobs overseas.
    Howard Tanger

    Until, and only when American consumers moan enough about their lost jobs, loss of decent wages, working at two, three or more crap jobs, will they realize what the heck they did by buying foreign goods with fuzzy quality...

    Americans have only themselves to blame for the shape of our standard of living, and for buying the crap American businesses bring here at redicuously high sale prices compared to what American businesses pay to have it produced
    .

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    Re: Kodak Financial Woes Deepen: Film Future?

    Quote Originally Posted by falth j View Post
    Americans have only themselves to blame for the shape of our standard of living
    Baloney. That's like blaming the rats for following the maze they've been placed in. Unless you consider 12 kinds of laundry detergent (all mfg'd by one company) as choice, our freedoms to choose our own destiny has been severely constrained for a very long time.

    It's a top-down decision making cycle that has placed us where we are now, and continues as we speak. Do you think it's merely a coincidence that a dozen states are coming up with the same union busting legislation simultaneously?

  10. #100

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    Re: Kodak Financial Woes Deepen: Film Future?

    Kodak's film unit has been in the process of undergoing a violent contraction and the question is whether Kodak has the will and ability to transform a mass market business into something radically smaller, but sustainable. After being one of the giants of industry for so long, they may not be capable of navigating the change. Does it even make sense for them to run a niche film business?

    It seems like everything at Kodak, from the management structure to the production facilities, is meant for very large scale production. Would Anheuser-Busch run a microbrewery if beer sales dropped 99.9%? My guess is they might stop selling beer and focus on other mass appeal beverages.

    I'd love to see Kodak manage film as a niche product or spin off their film unit, but I wonder if it's realistic given the current company structure and the nature of their production facilities.

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