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Thread: What did you compose at Waters Edge?

  1. #7161
    multiplex
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    Re: What did you compose at Waters Edge?

    self coated dry plate
    graflex D
    caffenol
    sun print/kodak FB
    caffenol
    colors not added by me
    they are in the print ..
    Last edited by jnantz; 2-Jun-2025 at 10:34.

  2. #7162
    multiplex
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    Re: What did you compose at Waters Edge?

    Mary's Creek
    7 second impression
    black and white photo paper (kodak polymax fiber SW )
    developed in room light with Sumatra based Caffenol

  3. #7163

    Join Date
    Apr 2011
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    Re: What did you compose at Waters Edge?

    Lost Creek - nice, tranquil greenbelt in town. Delta 100 - my first time shooting with it and it is fantastic!


  4. #7164

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    Purcellville, VA
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    Re: What did you compose at Waters Edge?

    Bein fait, Franswa. Yes, Delta can be stunning.
    Philip Ulanowsky

    Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
    www.imagesinsilver.art
    https://www.flickr.com/photos/156933346@N07/

  5. #7165

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    France
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    Re: What did you compose at Waters Edge?

    Nice one Franswa !

  6. #7166

    Join Date
    Apr 2011
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    87

    Re: What did you compose at Waters Edge?

    Thank you, Philip and Francis!

  7. #7167

    Re: What did you compose at Waters Edge?

    Rocky Mountain National Park Waterfall 1992 by Nokton48, on Flickr

    I remember it was a bit of a balancing act. 4x5 Sinar Norma, 90mm F8 Norma Super Angulon, HP5 (not +) D76 1:1 dev, Yellow filter. 8x10 fiber print on silk surface paper (what I had a lot of back then) Dektol developer. Omega DII with Omegalite, 180mm black Rodagon
    Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/

    “The secret of getting ahead is getting started.”
    ― Mark Twain

  8. #7168

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    Jun 2017
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    Re: What did you compose at Waters Edge?



    The North Beach trees.

    Photographed on Ilford HP5+, exposed at 250 ASA, film developed in PMK (Pyro) for 12 minutes (1:2:100 at 21C).
    Exposure was 50 seconds at f32.

    Camera: 8x10 Intrepid with the 300 Industar-37 lens (barrel, no shutter)

  9. #7169

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by paulbarden View Post


    The North Beach trees.

    Photographed on Ilford HP5+, exposed at 250 ASA, film developed in PMK (Pyro) for 12 minutes (1:2:100 at 21C).
    Exposure was 50 seconds at f32.

    Camera: 8x10 Intrepid with the 300 Industar-37 lens (barrel, no shutter)
    A really lovely shot, Paul. What is your technique for the "shutter" on barrel lenses?

  10. #7170

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by Franswa View Post
    A really lovely shot, Paul. What is your technique for the "shutter" on barrel lenses?
    Thank you Franswa. (François?)
    Well, the truth is that I use my non-shuttered lenses only when the conditions allow for ease of use. Meaning, they are best used in low light conditions where I can make looong exposures (more than 5 seconds) and that allows me to just pull the lens cap off, count to X and pop it back on. In this case, the exposure was 50 seconds, so it was dead easy to make an exposure that way. The f4.5 Industar-37 lens is a USSR-made Tessar design, and I believe mine was made by KMZ (Krasnogorsk Mechanical Plant). These are very inexpensive lenses (approximately $150 USD for a good copy) and surprisingly capable — very sharp and good contrast. I once compared it with my 300mm f4.5 Ektar and the Industar-37 was only very slightly prone to flare, but otherwise performed similarly.
    I do have a large Packard shutter I can use on some of the lenses if I really need to, but I tend to avoid using shutterless lenses in bright light because it gets tricky.

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