Originally Posted by
annaeartha
To fine-tune your color negative processing procedure, there are several approaches you can try:
Use Color Filters: Experiment with different color filtration settings on your Omega dichroic head. Your combination of 115c+60m is a good starting point, but you may need to adjust it further based on the characteristics of each negative.
Adjust Magenta Levels: For negatives exhibiting "crossed curves" behavior, where decreasing magenta leads to excessive green, try fine-tuning the magenta levels to find a neutral balance. You can do this in your enlarger settings or in post-processing software.
Post-Processing in Photoshop: After scanning your negatives into your computer, use Photoshop or a similar software to make further adjustments. "Invert image," "adjust levels" or "brightness contrast," and "auto color" can help achieve the desired color balance.
Experiment with Raw Files: If you have the capability, consider exploring the use of Raw files from your DSLRs. Raw files provide greater flexibility in post-processing, allowing you to adjust color balance, exposure, and other parameters with more precision.
Learn from Others: Reach out to fellow photographers or online communities for different approaches. Someone may have a technique or workflow that works better for your specific situation.
Practice Patience: Color correction can be a trial-and-error process, especially with older negatives. Take your time to experiment and refine your technique until you achieve the desired results.
Remember, there's often more than one way to achieve a desired outcome. Keep experimenting and refining your process until you find what works best for you.
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