Thank you very much David. I look forward to seeing what you produce! My recent experience with Fomapan 400 (and 100) has shown me that this is an underrated film, and I see no reason to malign it. My own perceptions of this being a "second best" film option have been dispelled.
Thanks very much! I look forward to seeing your images made on Fomapan.
Thanks, Ben!
Both of these are beautiful, the second one I prefer, the lighting is more specular. Those wall shadows are fantastic. I bought some Freestyle 8x10 Foma 400 and also Arista 200, which I think is Foma 200? Seeing these results I want to try the two bath, D23 has been my go to for quite a while. Inspirational.
Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/
The secret of getting ahead is getting started.
― Mark Twain
00003 | Dry Leaf | 240404 by Tak, on Flickr
Okuhara 5x7 with 4x5 Reducing Back Nikkor-M 300mm f/9 + Canon 250D close-up lens Ilford FP4+
Paul, this is lovely. I admit that I am partial to non-soft-focus images, though they have their charm and can sometimes, in my view, be very successful. For me this subject is better this way. The subtleties of of the shadows on the wall, the leaf on the book -- everything contributes to the unity of the composition, beautifully printed.
Philip Ulanowsky
Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
www.imagesinsilver.art
https://www.flickr.com/photos/156933346@N07/
I captured this during a Fine Art Floral Perspectives Workshop at National Camera Exchange (Golden Valley, MN.) Still life and artificial lighting are a bit outside the norm for me, but I had a lot of fun.
Tulips in Vase by Michael Schomer, on Flickr
Bookmarks