+1
I'm kind of with Alan, but it is up to you to render the scene as you see fit.
Great composition - I know from personal experience that photographing groups of trees is NOT like shooting fish in a barrel, although it seems it should be...
+1
I'm kind of with Alan, but it is up to you to render the scene as you see fit.
Great composition - I know from personal experience that photographing groups of trees is NOT like shooting fish in a barrel, although it seems it should be...
In the cold light of day I realised you guys were right. It was too dark. That's what happens when you edit late at night when you're tired. I've replaced the original with a half stop brighter version.
Abandoned Orchard Apple Tree HRU Maki 210 Heliar by Nokton48, on Flickr
n my neighborhood there are remnants of the apple orchard that stretched for a good distance many decades ago. At the back of my property is one of the original trees, now gone wild.
Plaubel Makiflex Standard, 210mm Makiflex Auto Iris Heliar, Fuji XRAY HRU 4x5" cut from 8x10. Grafmatic Film Back, Sinar 103mm Glass Disc Yellow Green. 1/15 at F5.6 Legacy Mic-X 18 minutes at 60C. Aristo #2 8x10 Omega DII Omegalite Diffusion Head Multigrade dev
Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/
“The secret of getting ahead is getting started.”
― Mark Twain
Linhof Technikardan S45, Scheider-Kreuznach Apo-Symmar L 5.6/150, Heliopan CPL, Lee 0.6H GND, Portra 400.
A Wind on the Heath by atomstitcher, on Flickr
Last edited by Gabe; 6-Nov-2022 at 04:52.
Nice photo Gabe. It looks about a stop too dark.
Flickr Home Page: https://www.flickr.com/photos/alanklein2000/albums
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