Wonderful Gabe,Originally Posted by Gabe
I’m waiting for my R72 filter to arrive. How do you compensate for this filter , just an extra 5 stops or ….
Wonderful Gabe,
I’m waiting for my R72 filter to arrive. How do you compensate for this filter , just an extra 5 stops or ….
Thanks Patrick.
From my experiments with it 4 stops compensation from box speed seems to be the sweet spot (at least with this film/dev combo), although if it's an important scene I would advise bracketing as the IR light will vary depending on location, elevation, weather, time of year and so on.
A friend of ours' husband is a well-known blues musician in the area, and he played a small show last night here in town. I have some Ilford 3200 I needed to use so I loaded up a couple of rolls in my Pentax 67ii, which miraculously decided it would start working again (the meter has been on the fritz for a couple of years). This was a good sign, and I decided I wanted to try some experimental double-exposures. This venue is themed after tree roots (the stage is in the basement) and this gave me the perfect material to work with.
Pentax 67ii, 165mm f/2.8, Ilford 3200 rated at 2500 (two exposures at -1) and dev'd in Acufine stock for 9 minutes:
Corran, Good to see you experimenting, nice result too.
Great shot Bryan. Back in the day, I shot a lot of concerts (The most challenging being the Vermont Symphony Orchestra, where I couldn't use any artificial light). But I never got anything as good as this!
Thank you Michael! I loved doing orchestra and theatre shots back in the day, especially BTS-style - though I usually used digital making it much easier with little or no light!
Boxer Rebellion (1900). Pentax 67 120mm soft focus lens.
After a Fire, Portland by Austin Granger, on Flickr
@ Mael : Nice composition. Hardly any water left in that river!
That is central France as central as one can get. I've been photographing around there, but small towns in color rather than landscapes in b/w.
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