M9, Voigtländer Nokton 50mm f1.5
Chance the Gardener: 'Yes, there will be growth in the Spring.' by tuco, on Flickr
Zeiss 35/2
Where Roadside Signs End Up by tuco, on Flickr
Makina III F4.2 F2.9 Anticomar Modern Sync by Nokton48, on Flickr
The Plaubel Makina III moves into the studio with the Makiflexes. Two lenses, the speedo F2.9 Anticomar, and the uber sharp F4.2 Anticomar. Makina Yellow Filters and original Lenshoods . These will both get some more use. Glenn Evans had the original Makina Strobe Sync Plug with fires my 70s era Broncolor strobes just fine. Plaubel recommended the F4.2 lens for commercial product shooting. Shown plugged into my Paramount homemade Pulso Sync cord. With the F2.9 lens I'll be selecting Ilford Pan F at EI 50 which gives me about 1/125 wide open or so outdoors. If I want uber sharpness with the F4.2 lens I will switch to EI 100 Delta 100
Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/
“The secret of getting ahead is getting started.”
― Mark Twain
Thanks, Jon.
Ari, fun stuff with the tilt/shift! I bought a Nikon 24t/s this winter, but I haven't really been able to use it much yet. Your pictures gave me some motivation to do so...probably after this semester is over....
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
Thanks, Peter. I'm getting more and more into them, they're wonderful instruments to have and can really change the look and feel of a photo quickly and with subtle impact.
I'll soon have 35mm and 45mm T/S lenses to complement the 24mm. Can't wait!
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