Ummmm.....what exactly are the advantages of either over a gg back, especially in a studio?
"I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority"---EB White
Fair question. I don't understand why the OP is obsessed with trying to improve on technology that's been under continuous development since the 1850s. He doesn't seem to be aware of studio photographers' best practices. And he seems to have joined the wet plate cult. Wet plate was completely replaced by dry plate, which in turn was replaced for nearly applications by film. There have to have been reasons.
Hey John Kasaian, Thanks for your question.
I feel the question could be answered with a question. Why does a full frame DSLR have a viewfinder? Even in the studio you would use the view finder or LCD screen.
I think being able to see exactly what the camera sees could make things work more smoothly in terms of flow.
And with a reflex viewer it would be even better.
Being able to focus closely before exposure would be great. Yes, there are those head stand designs from the 1800s but I'm not here to make mug shots/passport photos. The poses I will attempt you
wouldn't be able to hide the head stand.
~~~
Thanks Dan for your comment.
I'll look into these best practices as you mentioned hehe
If you have any more advice or opinions that are constructive please share
How about a pellicle mirror? You'd give up a stop or so of light, but you wouldn't need to move it.
On the subject of pellicle mirrors.. apparently Saran wrap "works ok"? Maybe this would be your cheap 8x10 SLR solution.
Thanks Plywood, Robert and domaz.
Interesting engineering solutions!
Thanks.
When I get my mono rail camera (I only have a field camera) and start playing around.
I'll think about these solutions!
Enjoy the new week y'all
Google Peter Gowland and have a look at his 8x10 TLR.
From his web site:
8X10 GOWLANDFLEX: "The famous 8x10 Gowlandflex, shown above and affectionately known as "The Beast" was nearly three feet tall. It was not very practical for most kinds of shooting. Seven were made and sold."
Bob
Thanks Bob Maxey
Maybe one day I will be able to afford/find one.
Or maybe I will still make one one day!
Take care
On the back of most view cameras there will be a ground-glass. You can see your sitter in that device and position them appropriately, if necessary mark the floor and tell them not to run away from the mark. With a small amount of practice, 'reading' an upside down and sideways image isn't a problem.
Set up the aperture, shutter and film-holder then wait with cable-release in hand for the right moment. If you want to move the camera as a subject moves, consider a wireframe viewfinder and pre-focus (as used with press-cameras).
I can't help thinking that you are effectively looking for a non-existent problem to solve with an unusable solution. It may well be fun to build a TLR, but using it wouldn't achieve much that hasn't already been solved by simpler means.
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