Here we go again (every image produced in the darkroom, especially the ones that were exposed on "expired" film, with no help from exponometer, developed in ages-old chemicals , mixed with a recipe that was kept as a secret in the family for generations, projected onto expired paper, are masterpieces by definition)
In the past he was photographing on Portra in 8x10 and printing digitally indeed. Dont see why he would abandon the established workflow. And no, I would not judge the quality of his current work based on some tiny (and likely over-edited) images in that article.
But does it really matter?
One either "gets" what they see in the pictures or don't...
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