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Thread: Large Format Landscapes

  1. #13041

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    Re: Large Format Landscapes



    Fuji Provia 100F, 4x5", Schneider 110XL

  2. #13042
    Corran's Avatar
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    Re: Large Format Landscapes

    Thanks for your thoughts jp!

    John - really nice images here and in other threads, and on Instagram.
    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  3. #13043

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    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    Thanks for your thoughts jp!

    John - really nice images here and in other threads, and on Instagram.
    Thanks, Corran. You too!

  4. #13044
    scm's Avatar
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    Re: Large Format Landscapes


    Canyon de Chelly National Monument - Chinle AZ

  5. #13045
    David Lobato David Lobato's Avatar
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    Re: Large Format Landscapes

    San Miguel Mountains, Colorado, 1988. Toyo 45A, 210mm Nikkor, Fujichrome

    [img]San Miguel Mtns 001 2500 by blazingshutters, on Flickr[/img]

  6. #13046
    Corran's Avatar
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    Re: Large Format Landscapes

    Icy rock wall at Lula Lake

    Chamonix 45n1, 150mm APO Symmar, TMX, FX-39:

    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  7. #13047
    chassis's Avatar
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    Re: Large Format Landscapes

    Quote Originally Posted by David Lobato View Post
    San Miguel Mountains, Colorado, 1988. Toyo 45A, 210mm Nikkor, Fujichrome

    [img]San Miguel Mtns 001 2500 by blazingshutters, on Flickr[/img]
    Beautiful!

  8. #13048

    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    Icy rock wall at Lula Lake
    Another scene that reminds me of home... If it's not too much trouble, I'd be interested in your "liner notes" on this one--especially the weather conditions. Yesterday I was banging around streamside here on the Tennessee side of the GSMNP with a P67 loaded with Acros and a light snow coming down, so I found myself wondering how essential directional light is to a good B/W landscape. Can the "underexpose/N+1" approach get you where you need to be, at least tonally, or does the day turn into a scouting mission at that point?

  9. #13049
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    Re: Large Format Landscapes

    I've been doing a lot of N+1 developing lately...it's either been completely overcast or there's not a cloud in the sky (which means yucky light pretty much 95% of the day). Are you spot metering? Usually on scenes like the above I find the darkest area I want to see some tone in at Zone II or III, and then the bright areas are around Zone VI. So the N+1 developing gets me to where I need to go. When I shoot my Pentax 67 I get the same effect by underexposing in the camera. This scene was in the early morning with overcast sky, and probably could have done with a bit more developing. Scanning it, I did a curve adjustment to get more contrast - so probably need a #3 or 4 filter in the darkroom when I make a print, or longer development.
    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  10. #13050

    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    (which means yucky light pretty much 95% of the day).
    Thanks for the detailed reply--we've been pretty much in the same boat, so I think I'll develop this roll +1 just to see. (I'm used to mercurial weather that close to Clingman's Dome, but yesterday took the cake--literally three minutes of blue sky with the hoar frost coated ridgetops blinding white, then back to being socked in for the rest of the day...)

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