I love the mist off of the islands in the background, this is a nice shot, did you happen to shoot something like a 300mm or 450mm on those islands? The must is so peacefulOriginally Posted by sdzsdz
Here another shot from near to my home:
Tachihara 4x5, Ektar 100, 75mm SA, NDG, Epson V700
An ordinary landscape 3 von sdzsdz auf Flickr
I also love the Lilly pads in this image, ties it together in a way.
A hazy rainy day overlooking the Green river in Utah. 4x10 FP4,305 graphic kowa f32 printed on MG classic.
That's really nice, Erik. The White Rim lives up to its name!
Wow that is a great shot!! Really great capture!
Thanks guys!
Great shot Erik! BTW thanks for the drymount press...it's in a happy home....big beast that it is.
Newbie in large format learning with Joel's Tachihara.Can't thank him enough ...
Water of the first Spring(North Minnesota) :-
Tachihara 4x5 with 180mm Nikkor
Ilford Delta 100
Rodinal 1:100 for 1 hour (stand development)
Scanned with Epson v750
Just glad it didn't burn down your home
Ferns and a Fallen Tree, 4x5 Fuji Velvia 50
I'm quite proud of this exposure. When I was in the Smokies a few weeks back, it was an overcast day following rain...the greens were out of this world. I passed this particularly vivid spot on my hike it, but decided to photograph it on my way out if I had time. A few hours later, the clouds were beginning to break. I came back to this spot and set up my camera as fast as I ever have. I quickly metered for around 2 minutes (with polarizer) and opened the shutter. I could tell that it wouldn't last the full 2 minutes before my scene was in direct sunlight though...the clouds were moving quickly. I watched as the bright sun made its way toward my through the forest. About a minute in, the first bits of light hit the right side of my composition. I closed the shutter and mourned the loss of a sheet of precious Velvia. Later on the hike I decided I would have the lab push it a stop just for giggles; I'd never done that with Velvia. When the transparency returned, I was blown away...perfect exposure!
I use a polarizer a lot for scenes with Velvia50, but why in this shot?Ferns and a Fallen Tree, 4x5 Fuji Velvia 50
I'm quite proud of this exposure. When I was in the Smokies a few weeks back, it was an overcast day following rain...the greens were out of this world. I passed this particularly vivid spot on my hike it, but decided to photograph it on my way out if I had time. A few hours later, the clouds were beginning to break. I came back to this spot and set up my camera as fast as I ever have. I quickly metered for around 2 minutes (with polarizer) and opened the shutter. I could tell that it wouldn't last the full 2 minutes before my scene was in direct sunlight though...the clouds were moving quickly. I watched as the bright sun made its way toward my through the forest. About a minute in, the first bits of light hit the right side of my composition. I closed the shutter and mourned the loss of a sheet of precious Velvia. Later on the hike I decided I would have the lab push it a stop just for giggles; I'd never done that with Velvia. When the transparency returned, I was blown away...perfect exposure!
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