"Faye"
"Faye"
... will be a portrait of my wife, another amateur photographer.
She will forgive me for subjected her to the cold look of a G-Claron 240/9 @f11.
other sizes : http://www.flickr.com/photos/9438444...n/photostream/
It was more a quick trial for my first set of LF B&W shots, it turned out well enough.
Fomapan 100 developped with LC29 and scanned with V700.
that amount of power of strobes isn't easy to find for me... you rated the collodium about 3-4 iso? Maybe I'll reach a total of 2200 joules splitted in 3\4 bulbs.
you maybe need to shot a f/4 or less... I think I'll try whit sunlight the first times!
thanks for the help, I'm in touch with a guy to attend a collodium workshop before starting it.
The ISO is 1 or slightly less depending on the age of your collodion (it gets slower, weaker and more contrasty with age). Start out just using open shade as it's perfect for wet plate before venturing into the studio setting. You can use continuous lights or strobes inside and the output will depend on your formulas (but you will always need a fair bit). You really don't need the amount of light that I was using for head and shoulders shots in the studio. The light fall-off is dramatic with WP so I used big output for this one to cover a full length portrait and to light the background. Fast lenses are handy and I think it was wet platers that really kicked the petzval lens purchase virus into gear. In saying that I often shoot smaller apertures than f8 outside so whatever you have is good enough to start you off.
One last thing, this process is orthochromatic not panchromatic so you need to focus on working in the blue and UV end of the spectrum. That means that if you do decide to use your strobes, remove or replace the glass tube protector if it's UV coated.
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http://www.craigtuffin.com
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Tri, beautiful model and great use of a very fine lens and x-ray film to boot!!
Thanks Serge, Scott and Jim
Each of the soft focus lens have their own signature look . I do enjoy using them alternately depending the subject and the look that I'm pursuing.This one below was taken with the Eidoscope at 2 stop down from wide open.
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