The specific tech sheets from major film mfg (Kodak, Fuji, Ilford) give you comparisons for daylight vs artificial light sources, along with recommended differences in filter factors. Most EU films don't. You can also balance artificial lighting the appropriate blue gels or lens filters, at expense to film speed. But there is simply no substitute for running your own tests until it's figured out. It can get complicated. For one thing, color response can shift at long exposures, and not just exposure
time compensation itself. A film that is quite consistent in this respect is Fuji ACROS, which also has reduced red sensitivity, much like a pan film with a no. 11
yellow-green filter on it. T-Max films are also relatively good for this kind of work, and have quite a bit of studio application testing behind them.