Hi,
I'm after low contrasty lenses and I've heard that fujinon lenses are low contrasty.
Are Fujinon lenses all low contrasty?
What are my low contrasty lens choices between 65-150mm?
Thanks!
Hi,
I'm after low contrasty lenses and I've heard that fujinon lenses are low contrasty.
Are Fujinon lenses all low contrasty?
What are my low contrasty lens choices between 65-150mm?
Thanks!
No. Ain't no modern low contrast lenses. You can control contrast in the negative with exposure and development and when printing.
Having owned examples from all four of the major manufacturers, I'd say Fuji's are near the top in terms of contrast, moreso than their German counterparts at least.
Of course, there are some specific lenses known for lower contrast, prone to flare, etc.
You might even get a rare dud (if it's from the single-coated era).
See Kerry Thalmann's excellent Fujinon lens page.
I have been using Fujinon and Nikon/Nikkor LF lenses for more than twenty five years.
Both lens manufacturers use excellent coatings.
I can assure you, their lenses are extremely sharp and contrasty.
Whoever told you otherwise does not know what they are talking about.
I love Fujinon lenses. To me, they have a slighter warmer rendering compared to the German equivalents.
If they were not as good as the German optics, I doubt that Hasselblad would have used Fuji for the Xpan series cameras.
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
The honest to God truth is that all modern lenses with multi coating are highly effective at transmitting an enormous percentage of quality light to the film and you would be hard pressed to quality or quantify the differences between them. They are ALL fabulous although there are those that for some reason have a natural bias to one manufacturer or another. I would be willing to bet that they have not diligently completed a rigorous testing procedure and subjected the same exposure to identical film and development to four major manufacturers lenses of the same focal length and compared the results. The reality is that someone used a Fuji lens and was short an exposure by a full stop or more and determined that the lens was at fault.
I have Rodenstock, Nikon, Fuji, Kodak, Schneider, Doctor, Goerz and Zeiss lenses in my lens cases and use them interchangeably with little concern that they will perform optimally. Expose fully and do not short change the development and you will consistently produce a robust negative and an expressive print.
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