Tim, Ian's article can be found here:
http://www.apug.org/forums/forum216/...us-screen.html
Tim, Ian's article can be found here:
http://www.apug.org/forums/forum216/...us-screen.html
Thanks Denis, I re-jigged the article slightly for the Lomography magazine.
Tim in Thailand there should be no problem getting powder grits, wet & dry doesn't really work but is excellent for smothing edges.
Ian
Okay. Thanks Denis and Ian. I'll see if I can find grit here (the problem is searching in Thai script). I have the worst screen I've ever seen on my old B&J 5x7 and would like to replace it.
See if you can find someone who polishes gemstones, they should be able to give you some or tell you where to get it.
Ian
Right. There is a large jewelry industry here so that could work. I'll check.
I have been out for a while, I see others have responded to your question. I use the pure powder in jet machines, I have never made a GG with them, so I`m afraid I cannot help you.Interesting to consider the grain size. What would you consider being the best grain size? Is it harder to focus if the grain size becomes to fine?
About acrylic materials; don`t know if the GG I have used were made in acrylic or polycarbonate, anyway; I work with acrylics, and I`d never advice to buy a GG made of it. There are different acrylics, the high quality ones we use are still sensitive to temperature (in fact, it`s our main problem)... In short; for a GG, if you can buy glass, just buy glass.
As mentioned above, any jewelery manufacturing materials supplier should have pure aluminum oxide powder (=corundum). It`s also quite common between dental manufacturing suppliers. Any good chemical product supplier should have it, too.
Ian`s article explains it all. He use silicon carbide powder (=carborundum).
Bookmarks