Roger,
Not much heat. 100W light bulbs.
Pete,
Was all POP paper like this? If so, I now understand the emphasis he placed on the separation of emulsion and paper. I was introduced to sheet film by an elderly gentleman. It make sense that if he was brought up with that logic, to impress it upon me when he was showing me his "methods to madness". I was always under the impression it was heat from the light bulb he was worried about. Maybe a combination of the two?
At Olmsted Pt. in Yosemite Valley. Keeping myself busy here as Irene passes overhead.
Bradley Buszard
flickr: http://www.flickr.com/photos/brad_buszard/
homepage: http://buszard.strangled.net:8080/photo/
I'm not sure if all POP came with the same warning as I've only ever used or seen Kentmere POP.
Pete.
Miami Az
5X7 - 305 G Claron
Efke Pl 100 - Pyrocat HD
JanC Nuance - MAS Amidol
Do family portraits count?
4x5 135mm Symmar Ekatpan in Rodinal 1:50
Forgot the loupe. Focus falls just behind them on the cedar and pine.
Harman direct positive fiber based paper in 4x5 Speed Graphic. Ektar 127mm lens at f/4.7. Paper preflashed and rated at ISO 1.6. Both exposures about 6 seconds under indirect north window light.
~Joe
The photograph and the thing being photographed are not the same thing.
Great photos JoeV. I like the first one best.
Mike
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
Zaitz,
Rim Rock Lodge--Speafish Canyon. Spearfish, SD
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