Old Things,Farms,Barns,Buildings, Plus

[RmFrase]

Old Rock Kirke "Church" Cranfills Gap, TX. Built 1886 and still used today.

Calumet C-1 8x10 "Green Monster"
Nikkor-W 300mm f5.6
Ilford 400 ISO
Scanned on Epson V700
Metered with Sekonic L758DR






-Robert

[ImSoNegative]

very nice

[ImSoNegative]

Nothing artistic here, but this is one of those times when the tones just all seem to work together.

Another TMY-2 in DD-X.


Mountain Cabin by JCole2008, on Flickr

hey jim, is that a cabin in cades cove tenn.? nice shot

[Jim Cole]

hey jim, is that a cabin in cades cove tenn.? nice shot

Thanks. It's the Mountain Farm Cabin at the south entrance to the park.

[RmFrase]

2nd of (2) images taken. Old Rock Kirke "Church" Cranfills Gap, TX.
Nikkor-W 300mm f5.6
Ilford 400 ISO
Scanned on Epson V700
Metered with Sekonic L758DR


-Robert

[Michael Kadillak]

2nd of (2) images taken. Old Rock Kirke "Church" Cranfills Gap, TX.
Nikkor-W 300mm f5.6
Ilford 400 ISO
Scanned on Epson V700
Metered with Sekonic L758DR


-Robert

Great exercise in practical visual content. I will kick in my $0.02. I like the second image shot vertical taking out the unimportant side control panels on the left and the dead wall space on the right. I would place the edges of the image on each outside edge of the seating side medallion and use a slightly longer lens (maybe a 14") to take a step back and lower the upper edge to just above the cross member. The bail back on the Calumet should allow you to keep the camera from moving laterally when you insert a film holder and precisely frame your image. Excellent focus control and exposure to keep the highlights in check on the floor, the details on the pews from getting to dark and keeping your whites on the inside walls well balanced. Very well executed !

[RmFrase]

Thank you very much for your comments. Don't yet have a 14" lens (yet) I have recently acquired a 19" Red-Dot Artar. I got lucky on the highlights as this was a 23 second exposure.

Great exercise in practical visual content. I will kick in my $0.02. I like the second image shot vertical taking out the unimportant side control panels on the left and the dead wall space on the right. I would place the edges of the image on each outside edge of the seating side medallion and use a slightly longer lens (maybe a 14") to take a step back and lower the upper edge to just above the cross member. The bail back on the Calumet should allow you to keep the camera from moving laterally when you insert a film holder and precisely frame your image. Excellent focus control and exposure to keep the highlights in check on the floor, the details on the pews from getting to dark and keeping your whites on the inside walls well balanced. Very well executed !

[Dean]

Flickr 上 多啦73 的 img093

[Michael Kadillak]

Thank you very much for your comments. Don't yet have a 14" lens (yet) I have recently acquired a 19" Red-Dot Artar. I got lucky on the highlights as this was a 23 second exposure.

Kudos to you for handling the reciprocity correction so well with such a long exposure. With images such as this there are a host of places where the wheels can come off of the bus and as an 8x10 photographer I am familiar with these risks first hand. Carry this experience for similar future challenges and continue to challenge yourself as you pursue your vision and there will be many marvelous images in your portfolio.

[ross]

A poor scan of my first darkroom print in 30+ years:

Old House, Oregon High Desert by Jeffery D Ross, on Flickr

Chamonix 45N-2
TMax 100