Originally Posted by
FLC
Just returned from an exhibition at USC in Los Angeles entitled "Karsh: Regarding Heroes." The exhibit features 100 of Yousuf Karsh's portraits of world renowned luminaries.
Although I've read extensively about Karsh's work in the studio, it seems that very little has been written about his trademark darkroom and print finishing techniques. For instance, how does he achieve such depth and luminosity in his portraits? Is this a function of retouching B&W negatives? And the incredible tonality of his prints; is this readily achievable using today's B&W emulsions?
Thoughts, insights?
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