Impressive.
First, thanks to James az for showing me how to do it and providing the supplies.
This is a night time photo on Tmax 100. Estimated exposure at f/11 was 15 minutes. The actual exposure was 30 minutes due to recciprocity. 210 G Clarion lens, Chamonix 45H-1. Photographed on light table with iphone and adjusted in LR mobile.
I am ready to go all in on developing and printing my own film!
I am never going to learn how to use this blasted thing properly, unless I start using it.
Last Sunday on an overcast morning. My first attempt using rise and tilt.
Toyo 45A | Caltar 210mm F6.8 | 1 second @ F45 | Arista EDU Ultra 100
Brighton (South Australia) On a Grey Sunday by Ashley Hoff, on Flickr
Thanks all for the comments on this one.
It's not difficult at all really digitally, at least not with this setup. For this one I shot with a Fujinon 300mm A Lens, very little alignment correction or distortion because of the long focal length.
Slide film also makes it easier because the colors seem more consistent from various sheets of film and there's no orange mask to deal with. I shoot slides on bright days like this for more contrast.
One of the hardest stitches I've done is the one below, also in Wyoming.
For one, the film were a bit underexposed color negatives and I was using a wider lens (110XL w/ center filter) which gives light falloff when reaching the extremes of shift when stitching. It required a lot more color correction. I would use a 300mm lens for all scenes if I could.
Anyway, stitching with large format is fun!! Especially for these panos.
2018-05-20 Ukraine Sh 100 in XTOL 1+2 11 min011-02web by Yuriy Sanin, on Flickr
Wista 8x10, Color Tamron 240/6.8@11, Shanghai 100 in XTOL 1+2
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