Clark, to answer at least one of your questions, a 127mm on 6X7 will see about the same as the 210 0n 4X5. If you put a rollfilm back on the 4X5 and you are using the 210, bellows factor doesn't start until you go well past 210. It's still a 210, but your rollfilm will "see" approximately what a medium format with a 210 telephoto would be seeing. It is correct that you can't really compare the 3:2 ratio of 35mm with the 4:5 of 4X5, but we do it anyway. For my brain, I choose to consider the width in that ratio, not the height. since 35mm is 1.5" wide, you could fit 3 in the 5" width of 4X5 and have 1/2 inch left over. I use 3.33 to make that conversion for what it's worth, making a 165mm closer to a 50mm on 35. There's no set rule because it's technically an improper comparison. As far as metering the scene, either you're confused, or I am. If I had 3 cameras set up, a 35mm with a 63mm lens, a 120 with 127mm lens, and a 4X5 with 210mm lens, all focused at infinity, and all had the same film, ie. velvia, I would take one reading for XX ASA and set all 3 cameras the same. Hope this helps some.
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