post alternative techniques

[Tin Can]

Yes!

[Emil Schildt]

went totally overboard...

This is a big version of the previously submitted image I made a few days ago...
This is BIG... 77x100cm in size. (30x39" ish)
Polaroid 665 film - liquid emulsion on 450g heavy paper - developing was a mess...
the I added dead emulsion on the surroundings - developed and brown toned the lot.
Cyanotype chemistry then added on almost all the paper - then exposed and partially rinsed....
Bleaching away some of the cyanotype chemistry (the yellowish areas), and finally hand colouring small parts...
Hanging in my big Art Nouveau frame, bought in my beloved Prague....

the second image shows for size a 12x16 version I made the other day...

[koraks]

Very cool project, I love how you applied a mix of techniques! And the result is very convincing.

[Emil Schildt]

thanks - I am happy about it...

[hendrik faure]

copperplate photogravure
I showed the interpositive in the foma 100...
hendrik

[ndg]

Hendrik, are you starting a new series? BTW, great tones as always.

Nana

copperplate photogravure
I showed the interpositive in the foma 100...
hendrik

[Tin Can]

Very nice Hendrik.

Such depth of meaning and "language" is seldom seen.

[hendrik faure]

Hendrik.
...seldom seen.

thank you, Randy and Nana

copperplate photogravure - some kind of mixed media: Photogravure from 8x10 neg via digital interpositiv, result not satisfying, so grinded the plate partially, inked aà la poupée, printed on light japans paper, scanned colors enhanced.
photogravure has a continuous tone spectrum, so the original ca 3x4inch can be printed postersize

Nana, not a new serie, continued some years
hendrik

[Emil Schildt]

a VERY tired angel I think...

Painted with light
Bromoil Print

[pau3]

After struggling with the chemistry, I finally managed to print some
kallitypes. This one is untoned, on some unknown to me Japanese paper.

Mina d'en Negrín by Pau Martín, on Flickr