Hi CJ! Long time! Hope all is well. Thanks for the kind words. Please recommend a cotton digital print paper.
Nana Dadzie, thank you!
for my part, I delivered the picture shown on page 12 of Still-Life Images, 2015 thread.
But then publisher stated that they never accept b&w pictures. So I inked the plate a la poupée:
a way to avoid Adobe Photoshop CC;
but better than monochrome??? (critics welcome as always)
hendrik
Hendrik, I prefer the monochrome version but that is just me. You did a good job inking it a la poupee though!
Four young people has been at my place for making a 3-5 min film about me - painting with light - darkroom and Bromoil printing.... My GOD it took a loooong time...
In the end they recorded the entire inking at the image I had made in this film...
As impossible as the scanning was, I still like the result... Eniola was kind and patient enough to pose for this portrait..
Multicolored Bromoil (pol 665 - painted with light)
I can only think of one word. Beautiful! Now how about the video. Do we get to see it?
YouTube Channel: https://www.youtube.com/user/andy8x10
Flickr Site: https://www.flickr.com/photos/62974341@N02/
Instagram: https://www.instagram.com/andrew.oneill.artist/
4x5 TMX contact print, ferric ammonium oxalate cyanotype. Schneider 75/8. TMX is a b*tch to contact print due to its UV blocking base, so printing times are quite long: I think this was 9 minutes at a distance of about an inch with a 50W face tanner unit. Other negatives (both printed and real ones) take about 2-3 minutes at a distance of 8 inches, so the difference is quite a few stops.
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