Test
Come and see what I have done up and until now at www.neilsphotography.co.uk
Pigeon Point, CA
Chamonix 8x10
Nikkor 450mm F64 @ 20 minutes, Lee Big Stopper
Ilford FP4+
Rodinal 1:100
Pigeon Point by Shailendra Dhanoa, on Flickr
Shailendra
www.ShailendraDhanoa.com
Shailendra,
I find your image rather unique and choice of filter and extra long exposure quite interesting.
I am curious, what made you choose this method? Did you previsualize the final image?
Pdm
Pdm,
Thanks for the comment. I had been contemplating a shot such as this for some time (long exposure during daylight with the sun). Most of the times I've used the Big Stopper filter has been on overcast days, but I thought I would try it with the sun out. Combined with the longer reciprocity characteristics of Ilford FP4 and the lens stopped down to F64, it was a perfect match. Though this was my first attempt, I did find that the sun was a bit brighter than I had anticipated and I have tried this shot again by adding a gradual neutral density filter to hold back the sun a bit. Unfortunately my second attempt was ruined because the sun had reflected a double image due to the fact it had reflected thru the ND and GND filters, although the brightness itself was held back.
I am likely to continue this series albeit with only 1 filter (neutral density) applied and will just "burn" in the sky in post editing, as needed.
Shailendra
www.ShailendraDhanoa.com
Shailendra, another excellent long exposure!
Here is a long exposure from the edge of Amicalola Creek. I took a few images standing further back (including the one in the Landscape thread) and then shot some digital images of this more intimate scene, which made me want to reduce the exposure time to get more defined swirl compared to before. This was only about 6 seconds (the other image was about 1 minute), and I burned in the shadows on the water still to make the white swirl as defined as possible.
Sardine Cr.-10 by gary2881, on Flickr
4x5, HP-5+, WD2D+
Lake Jindabyne, Drowned Trees
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.3cm, from a 4x5 Arista EDU Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera
fitted with a Schneider Super Angulon 75mm f5.6 lens and #25 red filter.
Photography:first utterance. Sir John Herschel, 14 March 1839 at the Royal Society. "...Photography or the application of the Chemical rays of light to the purpose of pictorial representation,..".
An intriguing image, Maris. The dominant trees and their reflections are easily understandable, but the smaller ones seem to appear from nowhere and fool the eye. Really effective!
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