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Thread: What did you compose at Waters Edge?

  1. #5121

    Re: What did you compose at Waters Edge?

    One from this morning; the temperature was dropping and about ten minutes later it was snowing heavily;

    Oberwil bei Zug

    Sinar F, Rodenstock Grandagon-N 75mm, Ilford Delta 100 / Tanol

  2. #5122

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by Randy View Post
    I use dropbox for file sharing (image hosting?) and post the public link between these [img] [/img] but dropbox is changing their free service so I will have to find another service.
    Excellent I might give that a try.

    Quote Originally Posted by chassis View Post
    Punker I use Flickr, and there are different sizes that can be displayed when one chooses the "share" link or option.
    Oh I use Flickr for all my film photography. I'll try that out, thanks!

  3. #5123
    ndwgolf's Avatar
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    Re: What did you compose at Waters Edge?

    Test
    Come and see what I have done up and until now at www.neilsphotography.co.uk

  4. #5124

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    Re: What did you compose at Waters Edge?

    Pigeon Point, CA
    Chamonix 8x10
    Nikkor 450mm F64 @ 20 minutes, Lee Big Stopper
    Ilford FP4+
    Rodinal 1:100

    Pigeon Point by Shailendra Dhanoa, on Flickr

  5. #5125

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    Re: What did you compose at Waters Edge?

    Shailendra,

    I find your image rather unique and choice of filter and extra long exposure quite interesting.

    I am curious, what made you choose this method? Did you previsualize the final image?

    Pdm

  6. #5126

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by pdmoylan View Post
    Shailendra,

    I find your image rather unique and choice of filter and extra long exposure quite interesting.

    I am curious, what made you choose this method? Did you previsualize the final image?

    Pdm
    Pdm,

    Thanks for the comment. I had been contemplating a shot such as this for some time (long exposure during daylight with the sun). Most of the times I've used the Big Stopper filter has been on overcast days, but I thought I would try it with the sun out. Combined with the longer reciprocity characteristics of Ilford FP4 and the lens stopped down to F64, it was a perfect match. Though this was my first attempt, I did find that the sun was a bit brighter than I had anticipated and I have tried this shot again by adding a gradual neutral density filter to hold back the sun a bit. Unfortunately my second attempt was ruined because the sun had reflected a double image due to the fact it had reflected thru the ND and GND filters, although the brightness itself was held back.

    I am likely to continue this series albeit with only 1 filter (neutral density) applied and will just "burn" in the sky in post editing, as needed.

  7. #5127
    Corran's Avatar
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    Re: What did you compose at Waters Edge?

    Shailendra, another excellent long exposure!

    Here is a long exposure from the edge of Amicalola Creek. I took a few images standing further back (including the one in the Landscape thread) and then shot some digital images of this more intimate scene, which made me want to reduce the exposure time to get more defined swirl compared to before. This was only about 6 seconds (the other image was about 1 minute), and I burned in the shadows on the water still to make the white swirl as defined as possible.

    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  8. #5128

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    Re: What did you compose at Waters Edge?

    Sardine Cr.-10 by gary2881, on Flickr

    4x5, HP-5+, WD2D+

  9. #5129
    Maris Rusis's Avatar
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    Re: What did you compose at Waters Edge?


    Lake Jindabyne, Drowned Trees

    Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.3cm, from a 4x5 Arista EDU Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera
    fitted with a Schneider Super Angulon 75mm f5.6 lens and #25 red filter.
    Photography:first utterance. Sir John Herschel, 14 March 1839 at the Royal Society. "...Photography or the application of the Chemical rays of light to the purpose of pictorial representation,..".

  10. #5130
    Barry Kirsten's Avatar
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    Re: What did you compose at Waters Edge?

    An intriguing image, Maris. The dominant trees and their reflections are easily understandable, but the smaller ones seem to appear from nowhere and fool the eye. Really effective!

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