Your tranquil Oregon scene reminded me of this one “up the beach” in Washington, painted in high-noon contrast.
I tried to find log-shapes to “echo” the distant rocks: in this case, the bright log’s triangular tip (on left) points to the triangular sea stack; and the curvy log (high on right) mimics the black rock – but this may not be too apparent in such a busy foreground.
A yellow filter helped darken the hazy-bright blue sky . And my 240mm lens was so close to the logs, I had to use f/32 and generous front-forward tilt to achieve focus, near and far.
Tachi 4x5
Fuji A 240mm/9
Polaroid Type 55 (shot ISO 25)
½ sec. @ f32
Front forward tilt + yellow filter
Epson 4990
Nice work everyone!
A beat up Tachi 4x5
150mm Apo Symmar
tmax 400
Fall chinook salmon submerged under a foot of water.
Got up extra early for this one:
Calumet 45
150mm Fujinon
Fuji NPS 160
--Gary
Last edited by Gary L. Quay; 17-May-2009 at 02:10. Reason: Forgot my brain
300mm Tmax400
Got to love the water. The first one is from a trip to Yosemite. At the banks of the Merced. The other two are from a trip to the Eastern Sierra. Lundy lake and Lee Vining creek.
Jim
Technika 4x5, Velvia 50 converted using PS B&W layer adjustment, don't recall lens or exposure details, Lake Michigan storm sky. Paula Chamblee suggested trying a crop without the sky, perhaps she should have suggested obscuring the entire image for further aesthetic improvement. Anyway, second image uses her aesthetic wisdom which is far finer than mine can ever be.
LJS
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