The second one is very good. So is the third! You hit the lighting just right.
The second one is very good. So is the third! You hit the lighting just right.
Regards
Marty
Nice series skier4life! The second one has a wonderful flow from foreground to background.
Peter Y.
Thanks! For the last one I had to use Ektar because there was too much dynamic range for Fuji Velvia 50. Either the shadows would've been completely black, or the water and the back wall would've been blown out. Ektar handled it just fine. As for metering, for the Velvia shots, I spot metered the brightest part of the white water and placed that value at +2. All the shadows were brighter than -2 so I knew I was good to go. For the Ektar shot, I placed the darkest part of the scene (the columns of rock to the left and right of the glow) at -2. This put the water at +3 and the glow at +2.5ish, which color negative easily handles.
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