Incredible shot, Robert. Really accentuates the open space nicely.
Jewan
A puny body weakens the soul.
Paul Cezanne
It's pretty damn telling where the greater perception of what makes a good photograph is headed when after 1.5 million views, 9,300 posts and 931 pages of "Wow, great capture!" the place can't handle one...single....brutally.....honest.....critique.
I guess I just don't understand the whole image sharing thing, especially when "Critiques should only be offered if requested by the original poster."
Stone and I talked on the phone for awhile last night, we are all good. I just can't do the whole internet photography love fest thing anymore...I will go back to not giving the "Image Sharing and Lack of Discussion" section a second look.
I can tell you almost the same story. In my case I was in a petrol station near the medieval walls of the city of Avila in Spain, but in this case, I had my Sinar F packed with the right lens and in a few minutes I was able to shot this image. This happened in 1992, since then I tried a lot of times to improve it, of course without success.
CedarKey by DevalJoshi, on Flickr
Toyo 45 aII
Rodenstock Sironar-s 150
F16 4 second
Filters:Lee 81B
Kodak Ektar 100
Critiques are good. They are a positive experience when someone wants to learn to improve their photography (or anything for that matter). My two cents on the matter are simply this; public critiques are unnecessary, but in a private message, an critique can be helpful. Publicly, it may seem like a thrashing, even if you are well intended. Before internet times, critiques happened, but in the relative private of a small audience of our choosing. Similarly, if you private message someone your critique, it can have the same effect. I'd go one step further, before offering a critique, simply ask if the photographer wants a critique.
Critiques can be good or bad. Do you want to make pictures that the critic likes? If yes, then it'd be useful to hear his or her opinion. If not....
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
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