Thanks!
That one is definitely going to be printed I'm sure.
Sometimes you just have to wonder how things got into a certain arrangement when doing this kind of photography.
SINAR F+ 4x5 wearing a Fujinon 150/5.6 W
Thanks, and indeed, it is a very interesting and culturally significant subject. I'm enjoying every minute of working in there.
If you haven't already, feel free to check out a variety of images I've shot there in the last year on my blog:
http://valdostafilm.blogspot.com/sea...20-%20Remerton
Many more images than that have been shot and some posted here, but lately I've been more hesitant about posting to my blog, not wanting to spoil the opening next year.
Always appreciate the feedback guys.
Yeah, fascinating place, and a lot of great images, Bryan. Looks like you guys could easily shoot in there for a year without exhausting it.
SINAR F+ 4x5 wearing a Fujinon 150/5.6 W
Yes we are, but my friend and partner in this project is more involved with that than I.
In fact the demolition of the place is a slow and tedious process because they are salvaging everything. The bricks used in much of the building are hand-made masonry dating to the late 17th century, and there is currently about 20 palettes of them packed and ready to ship to a salvage company which will resell them (that kind of thing is in vogue right now I guess). They are also stripping the hardwood floors and salvaging massive crossbeams that are something like 4-foot square beams made out of a single tree trunk.
Thanks--appreciated.
I don't always position the hand at 10:08, and even when I do, the damn things just keep moving. That's why I should let them run down first. But most are automatics, and even run down, any movement will get them going again. I was squeezing these sessions into spare half hours, and my shortcuts show.
I'm working my way up to attempting some 4x5 work, just to see what's possible. But I'll need a whole day for that.
Rick "and more space" Denney
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