5pm Sunlit
4x5, Dallmeyer meniscus f6, neopan 100, 1/125
r
Garrett
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Thanks Jim! you were right, I really like this lens. My wife wants me to blow this one up for her.
Garrett! here's one from that petzval you sold me.
Julian Cemetary, "Stairway to Heaven"
4x5, Darlot f3.6 petzval, neopan 100, 2 stops ND, 1/60
In 1920 they stopped using this cemetary. It was to hard for the horses in the winter.
It's long and winding.
r
Ah, thanks for the info. I've tried it with the Aero Ektar and it works ok. Still better than calibrating the rangefinder I find. Thanks again!
Yes I do have to watch out for that. Normally not interested, the minute I crouch down with the Speed Graphic the dogs want to come over.
Thank you! Not much luck with more recent Verito photos, or with Portra. The colors, either from my developing or the lens, are...not so pleasing. Portra 400 converted to b&w - Verito 210mm @f/4:
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
Zaitz,
Certainly, this appears to me to be one of those images that surpasses the technical aspects of the craft and leaves the viewer with a proud, beautiful and compelling story about deep loyalty and friendship. This is truly a memorable display of art and rarely do I comment on other people's visions, although this is truly something special.
"We work in the dark, we do what we can, we give what we have."
Henry James
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
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