Ramson path 2 by Peter Brooks
Better version of #6038 (now deleted).
Home made 10x8 box camera, Cooke VIIb 133mm f6.5 at f32, pre-flashed paper neg, 15 second exposure. Needs a hood / shade
Ramsons (wild garlic) covering the woodland floor.
Ramson path 2 by Peter Brooks
Better version of #6038 (now deleted).
Home made 10x8 box camera, Cooke VIIb 133mm f6.5 at f32, pre-flashed paper neg, 15 second exposure. Needs a hood / shade
Ramsons (wild garlic) covering the woodland floor.
Tuco, the panchro version is very fine work.
Philip Ulanowsky
Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
www.imagesinsilver.art
https://www.flickr.com/photos/156933346@N07/
Love that panchro version! The tones are very nice and the idea is excellent.
4x5 speed graphic, fp4+ in pyrocat hdc.. At Pleasant Point Preserve in Cushing Maine April 13.
img829 by Jason Philbrook, on Flickr
above with the 9" Gundlach Hyperion. Below I don't remember which lens I used.
img830 by Jason Philbrook, on Flickr
Jason...wonderful! Especially (IMHO) that first image! Nice to meet you at the recent PAX event in CT. At any rate...keep up the great work!
+1 jp!
On Sunday I went to Lula Lake Falls for the second time. The sun was nicely illuminating this seen, and I decided to make another image with roughly the same composition as when I went the first time in February 2018. Here are the two images side-by-side. The first is from last winter, earlier in the morning and developed N+1, taken with my Chamonix 45n1 and 150mm APO Symmar, the second from Sunday June 2nd 2019, taken with my Linhof Master Technika and same 150mm APO Symmar but with the sun illuminating the tree and new leaves:
Ah, definitely digging the "Spring" version on the right...you seem to be getting some great dark tones these days. (FWIW, the mountain laurel should be in bloom up high--really neat to see, especially backlit.)
A question: am I right that this image didn't take any tilt on your part? If not, what's your approach to scenes that lack a clear focal plane--focus a third in and ratchet down the aperture? (Hyperfauxcal?)
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