Matthew, the Lith Print is... genius.
Matthew, the Lith Print is... genius.
Justin on FP4 in Diafine. I'd like to make a pt/pd print of this, once I learn how.
...been testing, buying, testing, and finally have something to show. I had a portrait "assignment" to photograph my granddaughter for her high school senior photos.
She's a lovely girl who wears too much makeup, but the camera doesn't seem to mind.
Cambo w/4X5 reducing back, Ilford HP5, 12" Wollensak Velostigmat, f/8, softness at 5, FG7 1:15* (*9% sodium sulfite)
Window light (left) Strobe (right)
Wow, that first one is *intense*!
The last of the film batch, on 8x10 Arista 100, Rodinal 1:25
12" Velostigmat, f8
You know there is this artist in NYC -- Stacy Leigh -- who photographs highly detailed dolls -- to great critical acclaim -- and I am wondering if you are aping her. These portraits are spooky and cool as hell. I hope they are intentionally that way...
I had to Google Ms. Leigh [I can't ape if I don't know the work ], but no that wasn't what I was after, but I do know these are odd. I can't seem to fully make sense of that 'quality' since these are my first real attempts with very new (to me anyway) equipment and focal lengths. I was after full-head portraits and had moved the camera closer after the 4x5 shots (above) to attempt full frame with the 12". I ran out of bellows at 30" and moved back a few inches. This is a crop of a slightly larger frame.
Maybe the combination of tight framing, lighting (I'm not happy with), Wolly softness/sharpness, uber-makeup, and facial symmetry are adding up. I did some testing with my wife previous to this shoot and they are different... but that's was just testing the magnification ratio and DOF.
thanks for the comments
Great thread. Since I only do portraits I just love every one of yours.
My daughter. 4x5" Tri-X 320 Caltar 180 mm
/ Marcus
Two from yesterday at a photography barbeque party
Both Wehman 8x10, 250 Fujinon, Tri-X/HC-110
Amund
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Digital is nice but film is like having sex with light.
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