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Thread: Fixer: hardening vs non-hardening

  1. #1

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    Fixer: hardening vs non-hardening

    Do most of you use the same fixer, in different concentrations, for both paper and film? I recently switched from Kodafix to Ilford fixer (I forget which one, but it is non-hardening) and wound up with scratches on my film. I am not sure, but I suspect that the film got scratched during the washing and that this would have been prevented by using a hardening fixer. It was a large scratch, along the edge (fortunately since it can be cropped out). I rinse my film in a daylight tank with slots and I am thinking the scratch came from the edge of the slot.

    Any thoughts on this? What do you guys use for film vs paper?

  2. #2
    Louie Powell's Avatar
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    Re: Fixer: hardening vs non-hardening

    I use the same fixer - Ilford - non-hardening.

    The best way to avoid scratches is to be careful - very careful. I never, ever squeegee film! Roll film stays on the reel from presoak through final rinse in PhotoFlo, while sheet film is processed in a slosher with the film developed emulsion-side up so that nothing touches the emulsion except processing chemicals.

  3. #3

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    Re: Fixer: hardening vs non-hardening

    Quote Originally Posted by Louie Powell View Post
    I use the same fixer - Ilford - non-hardening.

    The best way to avoid scratches is to be careful - very careful. I never, ever squeegee film! Roll film stays on the reel from presoak through final rinse in PhotoFlo, while sheet film is processed in a slosher with the film developed emulsion-side up so that nothing touches the emulsion except processing chemicals.
    Louie, I have never got scratches like this before. It was only on two sheets out of three, but they were quite major, and along the edge of the neg.

  4. #4
    Louie Powell's Avatar
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    Re: Fixer: hardening vs non-hardening

    Don -

    The first question that comes to mind is how do you know that those scratches resulted from a processing problem? Is it possible that there was a problem either loading or unloading the holders?

  5. #5

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    Re: Fixer: hardening vs non-hardening

    Same fix but different concentrations (1-4 film, 1-9 paper), no hardening for either one.
    Brian Ellis
    Before you criticize someone, walk a mile in their shoes. That way when you do criticize them you'll be
    a mile away and you'll have their shoes.

  6. #6
    multiplex
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    Re: Fixer: hardening vs non-hardening

    i use sprint rapid fix 2:8 for film and paper without hardener ...
    no problems with scratches -
    (sometimes i process 28 sheets in a tray at once ... )

    --john

  7. #7

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    Re: Fixer: hardening vs non-hardening

    What film were you using?


    I use a hardening fixer with known soft emulsions, Type 55 Polaroid for instance or Efke. On the other hand I have used standard rapid fix with Forte 200 (said by some to be soft) and never had a problem with it.


    Mike

  8. #8

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    Re: Fixer: hardening vs non-hardening

    Kodak mixed from powder for film - cheap, and five minutes like every other fixer I've seen. I've scratched one negative in 22 years of tray developing. I agree with emulsion side up.

    Sprint Rapid 1:4 for paper as a first fix - 30 seconds! I love it.
    Bruce Barlow
    author of "Finely Focused" and "Exercises in Photographic Composition"
    www.brucewbarlow.com

  9. #9

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    Re: Fixer: hardening vs non-hardening

    A different answer, just for variety. I use Kodak Rapid Fixer with hardener for film, and never scratch sheet film processing it emulsion side down in trays. For prints, I use Zonal Pro EC Rapid Fixer, which is a non-hardening fixer that at 1:9 it requires only 60 seconds for a complete fix--a great bonus. It tests out fine, although I fix final prints for another 5 minutes in plain hypo (250 g/l) before toning.

  10. #10

    Re: Fixer: hardening vs non-hardening

    I always use Kodak Rapid Fix for negatives with the hardner - why not, it certainly is reasonable to think it could only help. I have been doing this for over 25 years and have never encountered any scratches! For prints I use the same fixer w/o hardner at film concentration. The capacity for archival printing is 40 - 8x10's per gallon of fix. After use, I add the hardner and use for film until testing indicates that the fix is exhausted.

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