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Thread: Making Photographic Bleach

  1. #1

    Join Date
    Dec 2004
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    Making Photographic Bleach

    I have always made photographic bleach for reduction on prints by adding potassium farricyanide to water. I just got a copy of the darkroom cookbook which suggests adding potassium bromide along with the potassium ferri to a "solution A" and then a solution B including water and hypo.

    Is all this necessary? And what is the purpose of adding these to solutions together? Can I continue to get away with a jar of potassium farricyanide and water?

  2. #2

    Join Date
    Aug 2000
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    California
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    Re: Making Photographic Bleach

    The info you read is not uncommon, in fact in the correctproportions this is Farmers Reducer.

    If you are getting the results you desire, why even think about changing?

  3. #3

    Join Date
    Dec 2004
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    Pennsylvania
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    Re: Making Photographic Bleach

    Jim,

    I didn't know if I was supposed to use these other ingrediants. Why even include them?

  4. #4
    Donald Qualls's Avatar
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    Oct 2004
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    Re: Making Photographic Bleach

    The bromide is present to ensure conversion of image silver to a fixable halide form (instead of potentially leaving silver in a non-fixable complex of ferricyanide). The fixer (which is essentially what Solution B of Farmer's Reducer is) is to then remove the halogenated silver. If you fix separately after bleaching, you don't really need Solution B, though it can be tricky to judge bleaching progress without fixing as you go. I'd certainly recommend a halide source, but table salt works as well as potassium bromide in the rehaolgenating step, and you probably already have it on hand...
    If a contact print at arm's length is too small to see, you need a bigger camera. :D

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