When I shoot for a client, I usually shoot BOTH color transparencies and color for prints. The client gets the transparencies (to use for publication or whatever) and I keep the negative film on file for print orders (so I can control the quality of the printing at my custom lab, and to keep samples on hand). If you know you are going to end up with prints, why not shoot color negatives in the first place? I have had reversal prints made from some of my transparencies, and have always been (a little) disappointed in the contrast gain. I love all the subtle tones you can get from a good color negative on glossy paper from a good lab.
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