IF the cutter, probably a wheel, is dull, the edge gets 'micro-torn' and that could help it suck up moisture unevenly.
But this is a two-fold problem, I thinhk.
First is the un-even air drying and contorted bending and Second is the wrinkling when it goes in the press. I've been from 30 sec to 6 minutes with little difference.
This is a TEMPERMENTAL PRODUCT ! (maybe others are the same?)
thx!
In a dry environment, perhaps try drying on/between doubled screens until almost dry, then put under weight (no heat).
"Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China
I am experiencing the same type of curling on the currently available Ilford FB paper. I now press them in the dry-mounting press for a lot longer (10-15 minutes). The older paper was flat in about 5 minutes.
The weird thing is that it doesn't happen on all the papers (same box). This weekend I printed about 12 11x14's and one took way longer to flatten. They were all processed, washed and dried at the end of the day and in the same way. I am wondering whether the one that took longest to flatten was in the water bath the longest... not sure but I am now going to track it just out of curiosity.
I have a two-inch white border but it's still annoying when it happens.
There's no accounting for taste. I agree that Multigrade RC Portfolio is a beautiful double-weight RC paper for negatives that don't have "hot" high values, i.e. those like what I've always worked to produce. However, my preference is for black and white prints, not grey and white prints. That's why I could never stand matt papers: they can't make black. I find Ilford's Pearl surface to be the best RC finish available to anyone who misses older, pre- "shiny object" air-dried glossy fiber papers. It's my only acceptable option today. Other than, perhaps a dye inkjet print on Hahnemuhle FineArt Baryta Satin.
If you want flat prints, but don't want to invest in a dry mount press, then one of the plastic papers may be your only option.
This seems to be a bigger problem than the usual one with fiber-base papers. Has anyone contacted Ilford about this? I would think they would want to know and would also go about finding a solution if, indeed, the problem has to do with paper stock or manufacturing processes.
Doremus
The OP is having the wrinkling problem after the print is flattened in his dry mount press as are members at Harvey Milk Photo Center. It not a matter not wanting to invest in a dry mount press. The problem is why does this happen and only on one side of the print and only on some of the sheets of paper out of the same box. There has also be mention of low humidity but that’s certainly not a problem here in San Francisco. Harvey Milk has contacted Ilford about the problem, I be there this week and will check and see if they got a reply.
Roger
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