Originally Posted by
jnantz
hi hiroh
I'm a bit confused, are you planning on using darkroom chemistry or you don't have access to a darkroom and do not plan on using photographic paper as it was intended with developer fixer &c? If you plan on using developer &c you won't want to use a UV light source it's not matched to the paper's useful spectrum, but with a 300W bulb and a reflector you can make contact prints on silver chloride paper with an large negative ( curves might be more similar to salt print ( gelatin silver chloride being similar to silver chloride curves than PT/PD curves ) or with a enlarger type bulb and a reflector and enlarger type filters you might be able to make contact prints on regular enlarger paper ...
if you do not have a darkroom at all, you can make images on photo paper through brute force with a lot of light ( uv or blue ) as well.
I have been doing this brute force exercise for years, both in a darkroom with UV and outside with a mix of UV and sunlight, with a camera, making contact prints and camera less images, it is fun. you will end up with a visible latent image ( like you would if you do alt process work ) but you won't develop them out and might have trouble keeping the images from being ephemeral.. ( like a lumen print or solar graph or Nicéphore Niépce's retina prints that are unfixed )
you can't really burn and dodge these. the image is silvery grey and doesn't really look like a regular dark room print. if you use home made or bottled emulsion you can get a different tonal range, sometimes blues, blacks and browns, sometimes reds, greens and yellows. Sometimes the images from non commercially coated papers last a long time. ( I have some I made 15 years ago stored in a shoe box that haven't altered, but ones made later with regular photo paper stored right next to them or stored in a light tight environment turned grey probably a few months after they were made, yup I've tossed hundreds of prints ) if you go this route don't bother with filtration it won't do you any good ... you just have to accept the idea that your prints will not look like regular dark room prints and turn into a blank sheet of paper ... you can rephotograph them with a stationary camera ( a scanner ) or with a regular camera. if you scan them, just remember every time the light beam passes, the image will turn grayer and grayer ... if you can find 1 tray you can try to stabilize the photographs, I've use use sodium carbonate first then caffenol with a bunch of sodium carbonate and then fixer, as well as sodium carbonate heavy caffenol and then fixer. I can't say how long they will last for but at least they won't turn grey as fast as un fixed ones ...
Bookmarks