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Thread: Photomicrography in Large Format

  1. #11
    Tin Can's Avatar
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    Dec 2011
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    22,505

    Re: Photomicrography in Large Format

    Education, Science, Wealth, Exploration are still Elitist

    as is war

    Quote Originally Posted by r.e. View Post
    Of course slides of algae/plankton are still made. Why wouldn't they be? I would think that anybody who's training to be a marine biologist has made them. Indeed, living in New York City I could easily do it myself if I still owned a microscope and wanted to. That's the whole point. There are apparently collectors of slides, and not just of diatoms, made in the Victorian era despite the ready availability of contemporary slides. As I said above, there are websites for collectors of 19th century slides (not, I might add, just from England), and evidently an active market for them, including on eBay.

    I gather, as @Tin Pan suggests, that it's a hobby, and I can see how it's of historical interest, especially for people who are interested in how science was done in the 1800s. It was the era of the gentleman scientist, an historical phenomenon that among other things produced Charles Darwin. Arthur Cottam, who made the slides that Allesandro is photographing, was a government clerk, probably aided financially by his businessman father, but also a member of the Royal Astronomical Society, membership in which wasn't just a matter of paying an annual fee. He's part of an historical phenomenon, and a social class, that doesn't exist anymore.
    Tin Can

  2. #12

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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    My Zeiss Phomi Photo microscope with the GLAREX projection device. I forget to assemble the hood for the screen. 19 March 2022

    - Camera: CHAMONIX 45-N2
    - Lens: SCHNEIDER Symmar 150 1:5.6 Convertible
    - Film: FOMAPAN - 100 ASA - size 4x5"
    - Exposure: 1 seconds at f 11

    - Developer: KODAK HC-110 - Dilution H (1+62) - 6 minutes and 30 seconds at 24° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Lightmeter: Gossen Lunasix 3 reading the incident light
    - Lighting: Ambient light only
    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS6


  3. #13

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    Re: Photomicrography in Large Format

    Fave video of the Zeiss Photomicroscope.
    https://www.youtube.com/watch?v=sQW5ttGJxpM


    At some point, I'll make this Zeiss Universal Research microscope go.
    Click image for larger version. 

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    Set up and ready, Leica Ergolux.
    Click image for larger version. 

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    Bernice

  4. #14
    Drew Wiley
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    Re: Photomicrography in Large Format

    Oh my. That takes me back. Would like to do it again while I still can.

  5. #15

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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    Gomphonema Geminatum (Didymosphenia Geminata) from a strew slide by H.B. Thomas. About 400 enlargements.

    - Microscope: Zeiss Photomicroscope II
    - Lighting: 60 watt tunghsten lamp
    - Objective: Zeiss Plan Neofluar 40/0,90 Multi Immersion.
    - Condenser: Zeiss INKO DIC III Generation
    - DIC setup: Prism II - Slide 40/0,65 Plan
    - Eyepiece: Projection Eyepiece Olympus FK 2,5x
    - Others: Beam Splitter Zeiss Tessovar 0,5x
    - Lightmeter: N/A

    - Exposure: 12 seconds
    - Film: BERGGER Pestige RC1 Paper - 12 ASA - size 4x5"
    - Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS4

    Last edited by Alessandro Bocchi; 30-Mar-2022 at 09:41.

  6. #16

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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    My Zeiss Phomi Photo microscope with the GLAREX projection device. 20 March 2022

    - Camera: CHAMONIX 45-N2
    - Lens: SCHNEIDER Symmar 150 1:5.6 Convertible
    - Film: FOMAPAN - 100 ASA - size 4x5"
    - Exposure: 16 seconds at f 22

    - Developer: KODAK HC-110 - Dilution H (1+62) - 6 minutes and 30 seconds at 24° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Lightmeter: Gossen Lunasix 3 reading the incident light
    - Lighting: Ambient light only
    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS6


  7. #17

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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    Diatoms Santa Monica California from a strew slide by Chas. H. Denison - About 400 enlargements.

    - Microscope: Zeiss Photomicroscope II
    - Lighting: 60 watt tunghsten lamp
    - Objective: Aus Jena 40/0,95 Apochromat.
    - Condenser: Zeiss INKO DIC III Generation
    - DIC setup: Prism II - Slide 40/0,65 Plan
    - Eyepiece: Projection Eyepiece Olympus FK 2,5x
    - Others: Beam Splitter Zeiss Tessovar 0,5x
    - Lightmeter: N/A

    - Exposure: 12 seconds
    - Film: BERGGER Pestige RC1 Paper - 12 ASA - size 4x5"
    - Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS4


  8. #18

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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    Diatoms Santa Monica California from a strew slide by Chas. H. Denison - About 400 enlargements.

    - Microscope: Zeiss Photomicroscope II
    - Lighting: 60 watt tunghsten lamp
    - Objective: Aus Jena 40/0,95 Apochromat.
    - Condenser: Zeiss INKO DIC III Generation
    - DIC setup: Prism II - Slide 40/0,65 Plan
    - Eyepiece: Projection Eyepiece Olympus FK 2,5x
    - Others: Beam Splitter Zeiss Tessovar 0,5x
    - Lightmeter: N/A

    - Exposure: 12 seconds
    - Film: BERGGER Pestige RC1 Paper - 12 ASA - size 4x5"
    - Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS4


  9. #19

    Join Date
    Nov 2012
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    Tuscany - Italy
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    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    Diatoms Santa Monica California from a strew slide by Chas. H. Denison - About 400 enlargements.

    - Microscope: Zeiss Photomicroscope II
    - Lighting: 60 watt tunghsten lamp
    - Objective: Aus Jena 40/0,95 Apochromat.
    - Condenser: Zeiss INKO DIC III Generation
    - DIC setup: Prism II - Slide 40/0,65 Plan
    - Eyepiece: Projection Eyepiece Olympus FK 2,5x
    - Others: Beam Splitter Zeiss Tessovar 0,5x
    - Lightmeter: N/A

    - Exposure: 12 seconds
    - Film: BERGGER Pestige RC1 Paper - 12 ASA - size 4x5"
    - Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS4


  10. #20

    Join Date
    Nov 2012
    Location
    Tuscany - Italy
    Posts
    428

    Re: Photomicrography in Large Format

    Toplecca di Sopra - Tuscany - Italy
    Diatoms Santa Monica California from a strew slide by Chas. H. Denison - About 400 enlargements.

    - Microscope: Zeiss Photomicroscope II
    - Lighting: 60 watt tunghsten lamp
    - Objective: Aus Jena 40/0,95 Apochromat.
    - Condenser: Zeiss INKO DIC III Generation
    - DIC setup: Prism II - Slide 40/0,65 Plan
    - Eyepiece: Projection Eyepiece Olympus FK 2,5x
    - Others: Beam Splitter Zeiss Tessovar 0,5x
    - Lightmeter: N/A

    - Exposure: 12 seconds
    - Film: BERGGER Pestige RC1 Paper - 12 ASA - size 4x5"
    - Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
    - Stop: ILFORD ILFO STOP
    - Fixer: ILFORD HYPAM FIXER

    - Scanner: EPSON V700 and EPSON Scan 3.81
    - Software: Adobe Photoshop CS4


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