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Thread: Film & Developer combo for Salt Prints

  1. #11

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    Re: Film & Developer combo for Salt Prints

    Is it true the prints of images taken in the Mountains come out a lot better if one uses Pink Himalayan Salt?
    Last edited by Willie; 26-Apr-2020 at 09:42. Reason: typo
    ” Never attribute to inspiration that which can be adequately explained by delusion”.

  2. #12

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    Re: Film & Developer combo for Salt Prints

    Quote Originally Posted by Willie View Post
    Is it true the prints of images taken in the Mountains come out a lot better if one uses Pink Himalayan Salt?
    Yeah, and images taken on the seaside should be made using seawater for the salting solution

    Seriously - no.

  3. #13
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    Re: Film & Developer combo for Salt Prints

    Thank you Gary Samson and Jim Noel
    Tin Can

  4. #14

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    Re: Film & Developer combo for Salt Prints

    Quote Originally Posted by koraks View Post
    Yeah, and images taken on the seaside should be made using seawater for the salting solution

    Seriously - no.
    Don't make light of this technique until you've tried it. There was a period of 3-4 years during which ALL of my salt print were made with sea water from the Pacific. The trace elements found in this water ad something special but beyond description.

  5. #15

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    Re: Film & Developer combo for Salt Prints

    Oh, don't get me wrong; there can be merit in experimenting with the salts. I never noticed improvements over Cl when using Br or I, but I never tested more complex mixes, let alone uncontrolled ones like seawater.
    My argument was that a certain subject matter (and a very unspecific one at that) shouldn't be translated 1:1 into chemistry choices. Maybe with a little more nuance involving brightness ranges, contrast, desired tonality and image tone, there would be some sense to it.

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