Componon S lenses were decent for their era, but kinda like a Ford or Chevy if hanging onto our car model analogies, and not a Porsche or Ferrari. I used a 180 Rodagon for 20X24 and 30x40 inch Cibachrome prints from 4x5 chromes. They were quite nice and nobody would notice anything "lesser" about the result unless it were placed side by side to my later work, which involved a custom additive colorhead, larger 8x10 film, and true apo enlarging lenses. But the slightly less saturated look went well with the older Ektachrome 64, which handled complex off-hues like sage coloration better than current films, but had trouble with clean greens due to the bit of red contamination. It's all been fun, and I've kept most of my older enlarging lenses because sometimes it's a quick way to fine-tune color printing contrast without resorting to a different mask density.