Taste being what it is, I like both croppings. The portrait version is more dynamic than the horizontal and the light from the opening in the middle becomes intriguing. One wants to know what is in there. On the other hand, the landscape crop really brings out a sense of loneliness. This always happens to me in the darkroom and I often agonize for days over a simple change.
In either case, it really is a beautiful photograph.
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It is a matter of taste and preference...... I do like the first crop, it created a more stable and dynamic composition. The repeated circular tumultuous mystery circles create rhythm and lead the viewer to the top, to then drop the eyes to the main light below. From there, you have to look back at those circular ethereal something again, and repeat the movement over and over. It is very difficult for the eye to abandon the photo, which is what the artist wants. I really like it.
"I have never in my life made music for money or fame. God walks out of the room when you are thinking about money." -- Quincy Jones
Thank you for the comments! I actually initially did a crop but I wanted the whole ray of light in the picture along with the dimly lit rubble on the bottom left.
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