Back in September I had a chance to take in the Eastern Sierras around Mono Lake with my Anniversary Graphic and Dallmeyer Pentax 8" f/2.9. The curtain might as well be a screen door in places, so I cloned out a lot of light leak pinholes, but here are some of the shots that I liked and pertinent details.
Kodak Ektar, 1/400, f/8.
The Pentac stops down to f/11 only. From f/8 to f/11, it's at it's most sharp.
New 55 Atomic-X, 1/100, f/4, Rodinal 1+100 stand developed for 70 minutes
At f/4, the unpalatable softness of f/2.9 starts to ease, but there's no visible change to the field depth, especially up close. As you can see, the trooper's face is in focus but his wrist watch is not. So anyone with a shallow-DoF fetish, this lens delivers even better than the Aero-Ektar.
Kodak Ektar, 1/1,000, f/2.9
I hope you didn't expect to make it through this post without a wide-open shot. The house we rented had this old (65 or 67, I think?) Mustang convertible in the driveway. So, yes, of course I was going to take a photo of it. I like the Petzval-type coma swirl around the periphery. It's not overbearing, and, combined with the paper-thin DoF, lends a nice and semi-surreal feel to the image.
If you're interested, and will excuse the diversion away from LF, here's the digital shot I took that night from a similar standpoint:
Pentax K-1, Pentax 31mm FA Limited. For lighting I used a Pentax 540 FGZII at four locations evenly on a 180-degree arc around the car (from outside the lens AoV) during a 30-second exposure and then took a separate shot with the camera's astrotracking function for the Milky Way. This is one of only a dozen or so photos I've ever taken that I could never replicate on film through the use of careful exposure, filtering, etc.
To be continued.
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