Hi Jason,
I presume you're contact printing? If you are, any lens that doesn't hang dangerously off the board works
Years ago I had a list compiled for the whole plate format, aggregating all the lenses for the former Whole Plate Column buried in an archive somewhere - very simply compiled from most 240mm - 300mm {10inch to 12inch} lenses - 7 x 5 inch covering lenses with a wider image circle, or tighter 10 x 8 inch format lenses.
The current ones I use are the Rodenstock 240mm Sironar S & the Docter Tessar 300mm f5.6 and a little Boyer Saphir 300mm f9 (a Heliar type design). The 300mm f4.5 G Tessar types are very large and heavier than the correspondingly short-telephoto portraiture style Heliar 360mm f4.5. At this end, the little Docter Germinar 360mm f9 is a great lens.
If you're looking to stay closer to period whole plate, the Taylor Hobson Series II 10-12 inch f8 lenses are lovely and portable. If you can find a Series V, all the better. The black paint on brass is exceedingly difficult to read in attenuated lighting conditions, and marking your favourite aperture settings with a sticker might help. The convertible RVP lens from the same house, as well as Ross of London and other smaller manufacturers, are much lighter than any modern offering too. Perhaps these are less common.
Just about any older anastigmat, rectilinear lens will work for your dry plate ISO of 1-3 without a shutter. Of the shuttered lenses, Zeiss Germinars (including Docter) made in the DDR fitted a Prontor 3 shutter, with the cells swapping out interchangeably; enabling the same shutter to be used for focal lengths from 180mm, 210mm, 300mm, 360mm. Some of these were Zeiss T coated, prior to T* and are superior to the vintage lenses for flare control.
I'm fond of the Ross Homocentric and rapid symmetrical lenses - these are more common in the 12 inch focal length and look handsome on any period whole plate camera, as well as generally being brighter than the smaller field lenses. All the lenses above provide sufficient coverage - although once movements start, the differences really start to show.
Happy shooting.
Kind regards,
RJ
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