Hi,
I’ve been looking on YouTube for examples of this but can’t see any, has anyone tried heat mounting fibre based prints on aluminium as oppose to mount board?
Thanks.
Hi,
I’ve been looking on YouTube for examples of this but can’t see any, has anyone tried heat mounting fibre based prints on aluminium as oppose to mount board?
Thanks.
40+ years ago I used dry mount tissue to mount a fiber print to aluminum foil. My idea was to test it for permanence. I still have the print. So, the tissue will stick to aluminum. My concern would be whether the press heats enough for thicker aluminum, and whether the mass of the aluminum would hold heat too long. I’d have to test.
It's certainly possible to mount paper to aluminum, do a search for Irving Penn prints mounted to aluminum, he was using relatively heavy sheets of aluminum. I routinely mount on aluminum for registering multiple exposures. I use Dry Lam Colortac dry mount tissue. I'm mounting heavy weight paper, watercolor weight, to aluminum flashing, and I'm using temperatures comparable to those used in normal drymounting.
I have mounted fiber prints to aluminum.. Flo Bond tissue is used , I hate doing it ..
Thanks for the replies, I'll certainly look at Penn's work on aluminum. In the past I've had large scale (215cm x 180cm) C-41 prints mounted on aluminum by professional mounters but as I'm planning on doing a series of 10" x 8" direct b&w contacts I thought I'd have a go at doing it myself and save money in the long run.
Can I ask about the procedure for doing it, is it the same setup for when mounting onto board? How are the edges of the print and the aluminum married up?
Bob, why do you hate doing it?
Thanks all!
The flow bond is very flimsy, and is tricky to work with.. Its the only material that I would recommend for hot application.... cold application will not work with silver prints.. but you are doing small prints, why the need to mount- is there a presentation method you see valuable ??
Getting the correct temp is critical, pressure and did I mention the cost of the material...
Mounting to aluminum is something I have done a lot for Pt Pd and gum prints that require many coatings and of course this means paper shrinkage for aluminum.
I have to agree with Bob, it isn't fun. But the Dry Lam Colortac tissue is pretty easy to work with (at least it isn't flimsy). I find I get the best results by leaving the mounted paper in the press while it cools off, so it's OK for one-at-a-time mounting, not as useful for high volume production work. I'm not particular about precise alignment of the sheet onto the aluminum, but I imagine you could use the same techniques as you would use mounting to museum board.
There are two types of dry mounting presses: hard bed presses that have a hard metal platen on the top and the bottom, this type of press mounts under heat and pressure in the press. An example of this type of press is the Ademco.
The second is a press with a metal top and a foam bottom. For instance a Seal press. This type of press bonds in the press and the best mount is outside the press with a weight placed on the print and mount. Seal made weights for this purpose.
There are also commercial dry mount presses that mounted with heat and vacuum pressure but these are not common for small production jobs.
Any of these types of presses can mount fiber or RC paper to mount board, foam plaques, wood boards, ceramic plaques, metal plates, glass, acrylic, etc. as long as the proper technique for the materials are used as well as the proper bonding agent. That is why Seal, Ademco, Technal and others offered a range of mounting tissues and laminate bonding materials.
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