So I've been going through all my 8x10 stuff and I start counting lenses. Yikes!
So last night I sat down and contemplated on which ones need to go.
A few are dedicated to the aerial camera bodies so those will stay with the bodies, whether or not the cameras are sold off so that cuts them from the herd.
One Rapid Rectilinear is missing--I know it's here but I just don't know where "here" is. OK it'll turn up eventually. and I'll deal with it then.
What concerned me was the following lengthly list of glass:
159mm Wollensak WA "Yellow Dot"
240mm G Claron
250mm WF Ektar
12" Dagor
14" Commercial Ektar
14" APO Artar
15" B&L Petzval
19" Red Dot Artar
Do I really need nine lenses? Here are my thoughts from last night:
The 159mm Wolly is quite useful. While I've seldom found a need for this wide a lens when shooting 8x10, at least I've got it if necessary (like photographing the interior of a small historic Chinese church down town.) I do put it to good use when shooting specimens 1:1 on a tabletop since I don't have to rack the bellows out to the county line, plus it serves me very well on the 5x7 & 4x5---near unlimited wiggle room and it's small enough to fit the lens boards on those smaller formats. It's a keeper.
The 240 G Claron is, like the Wolly, a little lens. It's very sharp and in a modern copal shutter. On hikes, this is the one I'll always take because it is so light and can be carried in situ with the lens board reversed. It has a useful amount of wiggle room for most situations and at f/32 is as sharp as Sophia Lauren in a black dress. It is easily my most used lens. Definitely a keeper.
The 250 WF Ektar is a huge lens with huge coverage. I've used it on architecture where the range of movements on the camera are taxed but the wiggle room on the mighty WF isn't. Neither the Wolly nor the G Claron can do that, so it stays!
The 12" Dagor is a very old lens in a compound shutter that has seen better days. It gives a certain "Look" to photos which I find pleasing. It is also small enough to fit on the 5x7 lens board so it can double down in both formats. For these reasons it's not getting voted off the island even though it isn't used as much as the others.
The 14" Commercial Ektar has served me very well on numerous trips and lends it's self to numerous portrait and landscape applications. For a "normal" focal length, if I could only have one lens, this would be it.
The 14" APO Artar was my first 8x10 lens, although now it mostly serves on the 5x7 and as a "spare" 14"er on the 8x10 side of the house, With so many lenses in old shutters it's good to have a spare in case a shutter decides to go out to lunch just before (or in the middle of) a shoot. At least that's what I keep telling myself!
The 15" B&L Petzval Magic Lantern is admittedly a toy. It's a barrel lens and didn't cost me anything. It's a toy and swirlies are fun and I am in this for fun so it stays in the fold.
The 19" Red Dot Artar is my long lens. It is the one that usually accompanies the 240 G Claron on hiking trips (I'll take the head off the tripod and leave that in the car to save weight) This makes a perfect pair, in my estimation, of focal lengths for most landscape work I enjoy shooting. For the "grand view" this has been a terrific lens for me. It is about as long of a focal length my bellows can handle.
Another 19", an elderly Dagor dedicated to the 12x20 and never mounted on an 8x10 lens board, can serve if necessary as a back up for the RD if I drill a lens board for it. That is how useful, if not necessary I feel a 19"-er is to my glass menagerie.
Do I need all nine lenses? That is the question.
Could I part with at least a few of them? Sure. If the choice was hurting my creativity I would have to but most of these lenses "fit" into a particular photographic niche--it's not like I have to stand there and scratch my head wondering which lens to mount on my camera.
Tabletop=Wollensak
Hiking=G Claron
Architecture=WF Ektar
Grand View=RD Artar
Bokeh=Magic Lantern
Everything else=Commercial Ektar (with both of the Goerz boys in reserve)
And that, I figure, is how I became a lens collector.
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