Totally agree - good job, Ben. Love composition and use of front elements blur
Totally agree - good job, Ben. Love composition and use of front elements blur
Thanks! It's all natural light with the curtain covered picture window in the background as the sole source of light (with some reflection off the interior walls acting as a fill.) This was a "hail Mary" shot, the last of our sitting done in quickly fading daylight. For this the lens is wide-open and the exposure was around 2 secs. The blur in the foreground is due to extreme lens flaring from pointing the old uncoated lens into the light source. I burned it in a bit to tame it. The Vestas are great lenses which are often ignored because they're not exotic. (Although they do have some great tricks up their sleeves if you're in the know.) I really love boring old uncoated Tessars too.
Jonnalyhn as Khirathae Zauviir, of House Do'Urden from AD&D. Part of the https://www.facebook.com/Transformat...splayPortraits project
and this is her in more regular clothing. Lets just say she is a costumer through and through
My father in serendipitous sunlight.
Symmar-S 300, Kodak E100G 4x5.
My father taught me virtually everything I know about photography and the Dunkelkammer. He’s so analog through and through (he never used a computer) he calls digital stuff "electrical photography". When I bought my first 4x5 Linhof for a ridiculously low sum he was so enticed by it that I left it with him and he’s using it since. I wanted to give him a box of Ektachrome and a Tetenal E6 kit for his 81st birthday, but he dismissed using it ("I did color in the past, it’s too finicky").
So we just took this one sheet on the occasion.
Benrains, that's a great picture.
8x10, Voigtlander Protar 310mm f7.7
Lana
Polaroid 803 exposed on 400 iso, Expired 2009. Taken with Sinar P 8x10 and Voigtlander Heliar 30cm wide open.
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