El Captain
Pentax 67II with 75mm lens and Porta 160. Reservation restrictions end this Friday.
Thomas
El Captain
Pentax 67II with 75mm lens and Porta 160. Reservation restrictions end this Friday.
Thomas
Door Detail, The Cathedral Basilica of St. John the Baptist
Hasselblad 503cx / 80mm Planar / Portra 160
Truthfully, I accidentally grabbed and loaded Portra instead of T-Max 100. Wish the foil outer packages weren't almost identical, like how Fuji's different film types are black/blue/magenta. Oops.
Trying out my new roll film back for my Nagaoka camera. Flatbed scanned from print. I found it very hard to compose on a 4x5 screen with only the frame lines etched on the focusing screen. I think duct tape will be used if I want to regularly use this. Also removing the focusing screen to attach the Graflock back was tedious. The old Kodak 203mm did a fine job with color though. The contrast and print quality reminds me of Cibachrome/slide prints for a long time ago. Ektar 100 is like that for me.
Ivy by Timothy Gordish, on Flickr
...Dilettante! Who you calling a Dilettante?
For a gallery of my work and to buy prints, please visit my website:
www.andrewburnsnz.com
Or for information about the Midtone Machines automatic film developer:
Midtone Machines
Portra 400
Fall Season by tuco, on Flickr
Northern Sweden. The road to Norway.
Pentax 645N, A120mm/4, Velvia100
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