As discussed above, the concept or process of "equivalence" as articulated by Stieglitz and Minor White may be fairly obtuse. But I have experienced equivalence reactions, and sometimes rather strong and surprising ones, as I have viewed certain prints made by other LF user friends. I think one of the more important aspects of this consideration for photographers is to be aware that people who view your images can sometimes react very strangely, strongly and emotionally to a print, and in ways that make clear the viewer replaced his/her perception and experience of the print with something that may not be very close to the physical subject matter of the photograph. So don't be surprised or taken aback when this might happen in relation to one of your photographs, and consider that the equivalence reaction is probably a good thing, and may be a mark of success.
... JMOwens (Mt. Pleasant, Wisc. USA)
"If people only knew how hard I work to gain my mastery, it wouldn't seem so wonderful at all." ...Michelangelo
I fully agree and wish we stopped writing, talking, pontificating, and communicated solely by images to and for images.
As if images could speak their own language without words to each other, but images are inanimate and we need to 'see' in our ever morphing minds.
Symbol for symbol, semaphores...are not the correct analogy.
Do images exist or is it just our imagination?
Last edited by Tin Can; 16-May-2019 at 06:17.
Tin Can
Lets put some light on...
What can be the connection between us while giving a look at this visual ?
It is just a moment of attention. Energy is there, manifesting presence.
Presence of seeing, no matter what associative intellectual moves will take place.
To see, directly, straight, one seeing oneself seeing..., and making a photographe at the same time !
Equivalence is an "experience" that enveloppes one's visual impressions, that nourishes a visual project with several intuitive levels...
Connecting with higher energies...
Pinhole, 4x5"
Creative Process series
Last edited by Miguel Coquis; 17-May-2019 at 03:57.
Vue over the Bay
Seeing intuitively
Pinhole 4x5"
Creative Process series
Keeping "alive" the perennial trend.
Developing ones own craft opens new paths...
While maintaining open minds, continuous experimenting and letting one self being caught by surprise by unattended discoveries.
Pic:Pin-hole selfies "en mouvement"
4x5" Kodak B&W negative film
Dev N-3
Sunlight
Like all 4 posts Miguel!
Tin Can
Scarecrow, Sauvie Island, Oregon by Austin Granger, on Flickr
Do scarecrows really scare away crows? I hear they are very smart. Smart enough to know if something is alive or not I suspect.
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