OK, I'll get on that soon.
I'm also speaking about color balance and density. You're right, I might not there be thinking in the absolute best interest of the neg, but in mine, be the results inferior. It's just that I don't think I can do this job if I'm not excited by how I do it, and spending hours in front of a screen certainly isn't my idea of fun ! 15 years ago, many photographers begged me to get into digital because they said I'd know how to keep it "normal", "natural". I saw that I "taming the beast", keeping it under control. Don't know if this is a clear way of saying it but I much rather be working at 99 on a scale of 100 possibilities than at 1 on a scale a 1 000 (or 1 000 000)... Again, that's only good as long as I have enough clients thinking the same way.
I have a 1990 ZIP MTB poisoned by titanium and with a road style fork designed by Tom Ritchey. TR from whom I have a custom made road bike from the same era, all fillet brazed...BTW, I'm a big Grant fan as well and ride a 1988 miyata 1000. But I use indexed shifting - oh the horror!
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