Originally Posted by
Drew Wiley
There's nothing else out there equivalent to TMY - a relatively long straight line at fast speed. Fomapan 200 will give you a long straight line, but at realistically one fourth the speed, and with terrible recip characteristics. HP5 has quite a bit of toe to it, and can't begin to resolve deep shadows in the same manner. ... I could go on and on. I'd really hate to lose a film like TMY in the redwoods here, or up in the mtns or desert, all where the lighting ratios can often be extreme. But it seems to be a very popular film, and I can buy at least 4x5 sheets even locally. I worked with just about every other mainstream film you could mention under these conditions - and yes, while they can be made to work, I find them a lot less versatile and reliable for the extremes I tend to encounter. I do have a soft spot for ACROS up in the high country, due to its lovely orthopan sensitivity; but it's simply too slow for typical 8x10 use other than extremely long exposures where it does have the upper hand. Can't get it here in 5x7 or 8x10 anyway. In softer lighting, many of the other films do superbly. I've got a bunch of 8x10 Tech Pan,
but never intended it for general shooting, but only for true pan highlight masking during color printing.
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