The bane of the great shot - right place at the right time!
The bane of the great shot - right place at the right time!
https://www.youtube.com/watch?v=Kgt30bZyKY8
Here is a video on how we do some of our work hope its helpful for those wanting to do exact registration techniques.
I've been experimenting a bit with photopolymer intaglio. I think I've found a set of process parameters now that allows me to make decent prints from inkjet printed positives. Obviously, the photos of the prints do the actual prints little justice, but so it goes.
Both shot in Morocco earlier this month on 35mm, the first on Ektar 100 (the harem of a 17th century riad in Meknes) and the second on TMY2 (in the medina of Fez). Digital photos of actual prints. Image size is 10x15cm, print size 16x24cm. Paper is Schut Simili Japon 225gsm, Charbonnel black etching ink. DK3 photopolymer exposed using my trusty face tanner.
Koraks
quite stunning, I would love to see them in real life. the method of printing , colour and tone is perfect .
Thanks! Took me a bit of fiddling to get it working, but these results are encouraging to me.
Attempting something I'm a novice at, inspired to give it a try by seeing some of the wonderful results that Bob Carnie has shown here. This is a gum over platinum/palladium. CMY as well as a pt/pd negatives used. The colors are no where near the original colors, but is has somewhat real but not really look to it It was an interesting experiment for me. 8x10 print on platine.
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