France, Gartempe river, summer 2022
Praktisix II, Flektogon 50mm f/4 @f/11, FP4+
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France, Gartempe river, summer 2022
Praktisix II, Flektogon 50mm f/4 @f/11, FP4+
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Thanks Patrick.
From my experiments with it 4 stops compensation from box speed seems to be the sweet spot (at least with this film/dev combo), although if it's an important scene I would advise bracketing as the IR light will vary depending on location, elevation, weather, time of year and so on.
A friend of ours' husband is a well-known blues musician in the area, and he played a small show last night here in town. I have some Ilford 3200 I needed to use so I loaded up a couple of rolls in my Pentax 67ii, which miraculously decided it would start working again (the meter has been on the fritz for a couple of years). This was a good sign, and I decided I wanted to try some experimental double-exposures. This venue is themed after tree roots (the stage is in the basement) and this gave me the perfect material to work with.
Pentax 67ii, 165mm f/2.8, Ilford 3200 rated at 2500 (two exposures at -1) and dev'd in Acufine stock for 9 minutes:
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Corran, Good to see you experimenting, nice result too.
Thank you Michael! I loved doing orchestra and theatre shots back in the day, especially BTS-style - though I usually used digital making it much easier with little or no light!
Boxer Rebellion (1900). Pentax 67 120mm soft focus lens.
After a Fire, Portland by Austin Granger, on Flickr
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